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Emeritus Professor, Department of English, University of Victoria, B.C. Author of articles on the drama of John Lyly and John Webster, wine, cookery, and medicine in the Renaissance; editor of Renaissance books on magic and huswifery; author and developer of Shakespeare's Life and Times, a CD ROM. Coordinating Editor, Internet Shakespeare Editions. <http://internetshakespeare.uvic.ca/>.
Professor of English and (until recently) Head of Department at the University of Auckland, New Zealand, where he teaches Shakespeare, Renaissance Literature, Drama and sundries, only sometimes simultaneously. His publications include Shakespeare and the Theater of Wonder (Cambridge, 1996) and a verse translation of Ovid's Amores (Carcanet, 2003). He is currently editing Pericles for the Internet Shakespeare Editions, and working on a project entitled "Shakespeare's Theatre Games." He still gets too much e-mail for his own good.
Professor of English at LaGuardia Community College, City University of New York. Founder and director of Words/Worth Associates, Inc., which provides writing skills and management skills training programs for lawyers and other business professionals. ; Author of Shakespeare's English Kings, the People, and the Law: A Study in the Relationship Between the Tudor Constitution and the English History Plays (Associated University Presses); "Teaching Shakespeare in the Multi-cultural Classroom." Sharon Beehler and Holger Klein, eds. Shakespeare Yearbook XII 2001, Shakespeare and Higher Education - A Global Perspective. Lewiston, NY: Edwin Mellen Press, 2001. 176-196. “'To be' in France--The Virtual Impossibility of Knowing." Cahiers Elisabethains 62 (October 2002) 65-72. ; "To Soliloquize or Not to Soliloquize - Hamlet's 'To be' Speech in Q1 and Q2/F." Hardin Aasand, ed. Stage Directions in Hamlet: New Essays and New Directions. Madison, NJ: Fairleigh Dickinson University Press, 2002. 115-33.
Professor of English, Saint Michael's College
Digital Initiatives Librarian, Lafayette College, and SHAKSPER Technical Consultant
Founding Editor of Milton Quarterly and Editor from 1966 until 2003, when I turned the chores over to Edward Jones, longtime Associate Editor. My Macmillan Paradise Lost won the Irene Samuel Award of the Milton Society of America, and it was followed by the Houghton Mifflin Riverside Milton. Milton should not be held against me, since I taught Shakespeare Tragedies, Comedies, or Histories every year I was at Ohio University, published occasional little things, contributed to several books on teaching Shakespeare, and I know David Bevington (we were at UVa together) well enough to smile knowingly at him about producing a single-editor edition of a major poet. Nowadays I am a practicing church historian, a newspaper essayist, a photographer who has done one-man shows, and a screenplay writer with two completed scripts looking for a director.
Retired Professor of English, Oberlin College. Selected Shakespeare publications include "Toward a Theory of Play and the Carnivalesque in Hamlet," "When Nothing Really Matters: Body Puns in Hamlet," and "Riddling as Ritual Remedy in "Measure for Measure." She is also a folklorist, and her interests in both folkloristics and in Shakespearean studies include interests in issues of texts and performance, play, ritual, riddles, and feminist theory and analysis.
Emeritus Professor of English, University of Wales, Cardiff. Publications include Shakespeare and the Reason (1964); Shakespeare's Talking Animals (1973); That Shakespeherarean Rag (1986); Meaning by Shakespeare (1992); Shakespeare in the Present (2002); Edited with Hugh Grady, Presentist Shakespeares (2007).Editor, Alternative Shakespeares 2 (1996); General Editor, NEW ACCENTS series (Routledge); General Editor ACCENTS ON SHAKESPEARE series (Routledge)
Todd M. Lidh
Director of the First-Year Experience and Clinical Assistant Professor of English The Catholic University of America
Media specialist, and formerly artistic director of the Newnan Community Theatre Company (http://newnantheatre.org), where he directed Shakespeare's plays on a biannual basis. ; Currently involved with The Lacuna Group, a theatre collaborative, whose last production was a six-man Coriolanus.
Associate Professor of Theatre Art and English at the University of Pennsylvania. ; He writes about Shakespeare Performance History, historiography, criticism, performance pedagogy, and dramaturgy, most recently with an emphasis on rehearsal processes, and on the persistence of twentieth-century Stanislavskian "emotional realism" in contemporary performance practice. ; He has directed (student) productions of several plays by Shakespeare and his contemporaries, moonlighted for many years as a local theatre critic, and has worked as a guest dramaturg with several professional theatres in the Philadelphia area.
David Schalkwyk is the Editor of Shakespeare Quarterly and formerly Professor of English and Head of the English Department at the University of Cape Town. ; He has taught and publishes on Shakespeare, Wittgenstein, Literary Theory, and South African Prison Writing. ; His translation Karel Schoeman's novel, 'n Ander Land was published as Another Country by Sinclair Stephenson and Picador. ; Other publications are Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge UP, 2002) and Literature and The Touch of the Real (Delaware University Press).
Arthur J. Thaman and Wilhelmina Doré Thaman Professor of English, University of Texas at Austin. Author of Ambition and Privilege: The Social Tropes of Elizabethan Courtesy Theory (California, 1984), Seizures of the Will in Early Modern English Drama (Cambridge, 1996), and various essays on literature and culture in the period; co-editor (with Wayne Rebhorn) of a new edition of Puttenham's Art of English Poesy (Cornell). Founding co-director of the Texas Institute for Literary and Textual Studies.