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EARLY THEATRE 14.1 (2011)

The Shakespeare Conference: SHK 22.0130  Thursday, 23 June 2011

 

From:         H M Ostovich < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         June 22, 2011 10:44:16 AM EDT

Subject:      EARLY THEATRE 14.1 (2011)

 

Early Theatre's next issue will be available this month.  For additional information on Submissions and Subscriptions, please see our website at http://digitalcommons.mcmaster.ca/earlytheatre/

 

ANNOUNCEMENT OF PRIZE WINNERS

 

SPECIAL ISSUE 15.1 CALL FOR PAPERS

 

Articles

The Animals in Chester’s Noah’s Flood

   Lisa J. Kiser

 

How to Get from A to B: Fulgens and Lucres, Histrionic Power, and the Invention of the English Comic Duo

   Rick Bowers

 

‘Sette on foote with gode Wyll’: Towards a Reconstruction of Robin Hood and the Sheriff of Nottingham

   Alexis M. Butzner

 

The English Entertainment for the French Ambassadors in 1564

   C. Edward McGee

 

Queen Elizabeth I’s Progress to Bristol in 1574: An Examination of Expenses

   Francis Wardell

 

The Seven Deadly Sins and Theatrical Apprenticeship

   David Kathman

 

Book Reviews

James Robert Allard and Mathew R. Martin (eds), Staging Pain 1580-1800:  Violence and Trauma in British Theater (Aldershot: Ashgate, 2009)

   Reviewed by Lisa Dickson

 

Craig Dionne and Parmita Kapadia (eds), Native Shakespeares: Indigenous Appropriations on a Global Stage (Aldershot: Ashgate, 2008)

   Reviewed by Yolana Wassersug

 

Will Fisher, Materializing Gender in Early Modern English Literature and Culture (Cambridge: Cambridge UP, 2006)

   Reviewed by Emma Katherine Perry

 

Gabriel Heaton, Writing and Reading Royal Entertainments from George Gascoigne to Ben Jonson (Oxford: Oxford UP, 2010)

   Reviewed by Elizabeth Zeman Kolkovitch

 

Peter Kanelos and Matt Kozusko (eds), Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage (Cranbury NJ: Rosemount Publishing, 2010)

   Reviewed by Helen Ostovich

 

Elizabeth Klett, Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece (New York: Palgrave Macmillan, 2009)

   Reviewed by Jami Rogers

 

Michael J. Redmond,  Shakespeare, Politics, and Italy: Intertextuality on the Jacobean Stage (Aldershot: Ashgate, 2009)

   Reviewed by Goran Stanivukovic

 

Celestine Woo, Romantic Actors and Bardolatry: Performing Shakespeare from Garrick to Kean  (New York: Peter Lang, 2008)

   Reviewed by Fiona Ritchie

 

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