The Shakespeare Conference: SHK 22.0219  Tuesday, 6 September 2011

From:         Jean-Christophe MAYER < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         September 6, 2011 9:00:36 AM EDT

Subject:      Latest Issue of Cahiers Elisabethains

The Latest Issue Of Cahiers Elisabethains Is Now Available: N° 79 (2011)

* Please note also that article submissions are now open for the next issues of the journal. For details about submissions and/or subscriptions, please see the end of this message.

ARTICLES

Dramatizing Belief: Charlatans, Credulity and Faith in John Heywood’s Four PP

Peter Happe

Hope, Despair and the Voicing of Renaissance Homoeroticism in Richard Barnfield’s “Certaine Sonnets”

Clinton E. Hammock

The Ambivalence of Revenge and of the Avenger’s Role in Hamlet: The Function of Letters and Emblematic Allusions

Michele Marrapodi

The Wilderness Metaphor in The Duchess of Malfi

Michael Steffes

NOTE

Shakespeare’s Sir John Oldcastle and Jonson’s Ursula the Pig Woman

Joan Fitzpatrick

THEATRE FEATURE

“The actors are come hither”: Andrzej Wajda’s Shakespearean Happening in Gdansk

Jerzy Limon

PLAY REVIEWS

Fausuto no Higeki [The Tragedy of Doctor Faustus], directed by Yukio Ninagawa, Theatre Cocoon, Tokyo, 17 July 2010 (Tomonari Kuwayama)

La Nuit des rois [Twelfth Night], translated by Jean-Michel Déprats, directed by Nicolas Briançon, Festival “Le Printemps des Comédiens”, Amphithéâtre d’O, Montpellier, 17 June 2010 (Nathalie Crouau & Gaëlle Ginestet)

Roméo et Juliette [Romeo and Juliet], directed by Françoise Chatôt, Théâtre Gyptis, Marseille, France, 15 March 2011 (Florence March)

La Comédie des erreurs [The Comedy of Errors], directed by Dan Jemmett, Théâtre des Bouffes du Nord, Paris, 5 and 8 February 2011 (Stéphane Huet)

La Nuit des rois [Twelfth Night], adapted and directed by Jean-Michel Rabeux, MC93 (Maison de la Culture de Seine-Saint-Denis), Bobigny, 22 March 2011 (Stéphane Huet)

The Coveted Crown: Henry IV, Parts I and II, directed by Patrick Swanson, Actors’ Shakespeare Project, Midway Studios, Fort Point Channel, Boston, USA, 20 November 2010 (Kaara L. Peterson)

The Duchess of Malfi, directed by Laurie Sansom, The Royal Theatre, Royal and Derngate, Northampton, 19 October 2010 (Eleanor Collins)

Richard II, directed by Andrew Hilton, The Tobacco Factory, Bristol, 25 February 2011 (Peter J. Smith)

The Comedy of Errors, directed by Andrew Hilton, The Tobacco Factory, Bristol, 30 April 2011 (Yolana Wassersug)

Hamlet, directed by Nicholas Hytner, Olivier Theatre, National, London, 7 October, 26 October and 26 November 2010 (Peter J. Smith)

King Lear, directed by Michael Grandage, Donmar Warehouse, London, 13 January 2011 (Colette Gordon)

As You Like It, directed by Stephen Unwin for the Rose Theatre, Rose Theatre, Kingston-upon-Thames, 24 February 2011 (Neil Allan)

Hamlet, an RSC Young People’s Shakespeare production directed by Tarell Alvin McCraney, The Courtyard Theatre, Stratford-upon-Avon, 10 September 2010 (Richard Kenney)

Measure for Measure, directed by Amy Hodge, The Provincial, Cardiff, 24 November 2010 (P. B. Roberts)

Doctor Faustus, directed by Toby Frow, The Royal Exchange, Manchester, 21 September 2010 (Kath Bradley)

BOOK REVIEWS

Julie Sanders, ed., Ben Jonson in Context (Cambridge: Cambridge University Press, 2010) (Warren Chernaik)

James Schiffer, ed., Twelfth Night: New Critical Essays (London and New York: Routledge, 2011) (Walter Cannon)

Jane Kingsley-Smith, Cupid in Early Modern Literature and Culture (Cambridge: Cambridge University Press, 2010) (Sarah Carter)

Michael D. Bristol, ed., Shakespeare and Moral Agency (London & New York: Continuum, 2010) (Dana E. Aspinall)

Scott L. Newstok, Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb (London: Palgrave Macmillan, 2009) (Joseph Sterrett)

Lloyd Edward Kermode, ed., Three Renaissance Usury Plays, Revels Plays Companion Library (Manchester and New York: Manchester University Press, 2009) (Charles Whitworth)

Richard Rowland, Thomas Heywood’s Theatre, 1599-1639: Locations, Translations, and Conflict (Farnham: Ashgate, 2010) (Eoin Price)

Julian Curry, Shakespeare On Stage: Thirteen Leading Actors on Thirteen Key Roles (London: Nick Hern Books, 2010) (Kevin A. Quarmby)

Erica Sheen, Shakespeare and the Institution of Theatre: “The Best in this Kind” (Basingstoke: Palgrave Macmillan, 2009) (Eoin Price)

BOOKS RECEIVED

Compiled by Janice Valls-Russell

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