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University of Notre Dame’s Shakespeare in Prisons Conference

 

The Shakespeare Conference: SHK 24.0254  Friday, 24 May 2013

 

From:        Scott Jackson < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         May 22, 2013 4:49:41 PM EDT

Subject:     University of Notre Dame’s Shakespeare in Prisons Conference 

 

**A CALL TO PRACTITIONERS/EDUCATORS AND INTERESTED PARTIES OF SHAKESPEARE IN JUVENILE AND ADULT CORRECTIONAL FACILITIES**

 

SHAKESPEARE IN PRISONS CONFERENCE

 

15-16 NOVEMBER 2013

 

Shakespeare at Notre Dame is pleased to announce the Shakespeare in Prisons Conference hosted by the University of Notre Dame on Friday, November 15, and Saturday, November 16, 2013.  

 

Featuring keynote addresses and film screenings by Curt Tofteland (founding director of Shakespeare Behind Bars) and Tom Magill (founder of the Educational Shakespeare Center and director of the Irish film Mickey B), the conference aims to bring together artists and educators engaged in transformational arts programs using Shakespeare in prisons across the USA (and the world) for an exploration and study of the effects such programming has on prison populations.  The goal is to promote a collaborative learning forum where participants will be exposed to a diverse array of programs that all strive for a common result: the habilitation of the inmate’s mind, heart, body, and spirit.

 

Departing from the traditional academic conference structure, the Shakespeare in Prisons conference will focus on the craft and experiences of the practitioner—while allowing ample time for one-on-one networking and collaboration.  

 

In addition to the keynotes and film screenings (and Q&A’s), attendees are invited to participate in workshops that explore innovative methodologies, as well as panel discussions that are designed to stimulate discussion about practitioner experiences and best practices within the industrial prison complex.

 

Registration is $25 and includes a dinner/reception on Friday night, lunch and dinner on Saturday, and admission to all workshops and film screenings. Online registration begins on Monday, June 10 via http://conferences.nd.edu/

 

More information regarding the conference schedule, lodging information, and the availability of a limited number of bursaries to help with attendee expenses will be made available on June 10.  In the meantime, please contact Scott Jackson at This e-mail address is being protected from spambots. You need JavaScript enabled to view it for further information.

 

We hope that you will join us for this unique gathering of like-minded individuals.

 

All the very best—

 

Scott Jackson 

Executive Director

Shakespeare at Notre Dame

 

Peter Holland 

McMeel Family Chair in Shakespeare Studies

University of Notre Dame

 

Curt Tofteland

Founding Director

Shakespeare Behind Bars

 

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About the speakers and host:

 

Curt L. Tofteland is the founder of the internationally acclaimed Shakespeare Behind Bars (SBB) program.  SBB has twelve programs in Kentucky and Michigan.  He currently facilitates the adult Shakespeare Behind Bars/Michigan program at the Earnest C. Brooks Correctional Facility in Muskegon Heights and SBB’s first co-gender, court-ordered, juvenile Shakespeare Behind/Beyond Bars programs at the Ottawa County Juvenile Detention Center and the Juvenile Justice Institute.  From 1995-2008, he facilitated the SBB/KY program at the Luther Luckett Correctional Complex, producing and directing fourteen Shakespeare productions.  His 2003 SBB/KY production of The Tempest was chronicled by Philomath Films, producing the documentary Shakespeare Behind Bars, which premiered at the 2005 Sundance Film Festival and went on to be screened at 40+ film festivals worldwide, winning eleven awards.  He is a national and international speaker, having lectured at over forty colleges and universities across the United States and at TEDx Berkeley, TEDxEast (NYC), and TEDx Macatowa.  For his work as a Prison Arts Practitioner he was awarded fellowships from the Fulbright and Petra Foundations, as well as a Doctorate of Humane Letters from Bellarmine University.  He is a founding member and past president of the Shakespeare Theatre Association, an international service organization for theatres that produce the works of William Shakespeare.  He is a published essayist and poet, currently authoring the book, Behind the Bard-Wire: Reflection, Responsibility, Redemption, & Forgiveness…The Transformative Power of Art, Theatre, and Shakespeare.  From 1989-2008, he served as producing artistic director of the Kentucky Shakespeare Festival, producing fifty Shakespeare productions, directing twenty-five, and acting in eight.

 

A trailer for Shakespeare Behind Bars can be viewed at http://www.youtube.com/watch?v=S2kr5wV_AiQ

 

More information on Curt’s work can be found at http://www.shakespearebehindbars.org/

 

Tom Magill is an ex-prisoner who transformed his life through arts education while in prison for violence.  While incarcerated he met his enemy—and his enemy became his teacher.  On release he earned a B.A. (Hons) in Drama and Theatre Studies at the University of Birmingham and an M.A. in Cultural Studies at the University of Leeds.  He is an award-winning filmmaker, drama facilitator, actor, writer, director, and producer.  He specializes in utilizing Augusto Boal’s “Theatre of the Oppressed” methodology and the works of William Shakespeare in transforming community and prison settings.  After training with Michael Bogdanov, he became his and Augusto Boal’s personal representative in Northern Ireland.  In 1999 he founded the Educational Shakespeare Company (ESC) to develop drama and film with prisoners and ex-prisoners.  ESC is an award-winning arts education charity, empowering marginalized people to find their voice and tell their stories through film.  In 2007 he directed Mickey B, an award-winning feature film adaptation of Shakespeare’s Macbeth cast with prisoners from Maghaberry maximum-security prison.  For his film direction he has received the 2011 Justice in the Community Award (from the Northern Ireland Department of Justice), the 2008 Roger Graef Award for Outstanding Achievement in Film at the Koestler Awards (for Mickey B), the Arthur Koestler Award for Prison Drama in 2004 and 2006 (for Inside Job and The Big Question, respectively), and the Impetus Human Rights Award in 2005, 2006, and 2007 (for Bridging the Divide).  He has presented his film work in Britain, Canada, Denmark, Germany, Holland, Ireland, Israel, Nigeria, South Korea, and the United States.

 

More information on Tom’s work can be found at http://esc-film.com/

 

A trailer of Mickey B can be viewed at http://www.youtube.com/watch?v=oFKMIswx5VY

 

Peter Holland holds the McMeel Family Chair in Shakespeare Studies and is the Associate Dean for the Arts at the University of Notre Dame.  He is one of the central figures in performance-oriented Shakespeare criticism, served as Director of the Shakespeare Institute at Stratford-upon-Avon before coming to Notre Dame in 2002. He is editor of Shakespeare Survey as well as a number of other series. Among his books are English Shakespeares: Shakespeare on the English Stage in the 1990s and a major study of Restoration drama The Ornament of Action. He has also edited many Shakespeare plays, including A Midsummer Night's Dream for the Oxford Shakespeare series. In 2007, he completed publication of a five-volume series of collections of essays entitled Rethinking British Theatre History. In 2007-08, he served as President of the Shakespeare Association of America.  He was elected an honorary fellow at Trinity Hall, his alma mater and one of the 31 colleges that comprise the University of Cambridge.  His Arden edition of Coriolanus was released in early 2013.

 

 

Shakespeare at Notre Dame is a program that recognizes the centrality of the study of Shakespeare in humanistic pedagogy at the University of Notre Dame.  The creation of the “Shakespeare Initiative” in 2001 sought to broaden the Shakespeare offerings on campus and establish the permanence of this new tradition for an audience of students, faculty, the South Bend community at-large, and a national and international audience.  To that end, the current programs and future prospects that comprise Shakespeare at Notre Dame have created a regional center for Shakespearean scholarship, production, educational outreach, and academic research by enmeshing programs as far-reaching and diverse as Actors From The London Stage, the Notre Dame Shakespeare Festival, visiting guest artists and lecturers, touring productions, and new media library collections; ensuring Notre Dame’s status as a nationally visible—and the Midwest’s pre-eminent—venue for Shakespeare Studies.  Find out more at http://shakespeare.nd.edu/

 
 

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