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Fellowships in Critical Bibliography

 

The Shakespeare Conference: SHK 23.0403  Friday, 5 October 2012

 

From:        Donna Sy < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         October 5, 2012 9:12:41 AM EDT

Subject:     Fellowships in Critical Bibliography 

 

Rare Book School Receives Mellon Foundation Grant to Fund Fellowships in Critical Bibliography

 

Rare Book School welcomes applications from scholars of Shakespeare to The Andrew W. Mellon Fellowship of Scholars in Critical Bibliography.  The aim of this new Mellon Foundation-funded fellowship program is to reinvigorate bibliographical studies within the humanities by introducing doctoral candidates, postdoctoral fellows, and junior faculty to specialized skills, methods, and professional networks for conducting advanced research with material texts.  

 

Fellows will receive funding for Rare Book School course attendance, as well as generous stipends, and support for research-related travel to special collections, over the course of three years. Weeklong intensive courses at Rare Book School cover topics such as paleography, codicology, scholarly editing, and the history of the book.

 

The deadline for application to the program is DECEMBER 1, 2012. Applicants must be doctoral candidates (post-qualifying exams), postdoctoral fellows, or junior (untenured) faculty in the humanities at a U.S. insitution at time of application.  Interested scholars are encouraged to apply as soon as possible. For more details, please visit:

http://www.rarebookschool.org/fellowships/mellon

 

---

Rare Book School Receives Mellon Foundation Grant to Fund Fellowships in Critical Bibliography

 

New fellowship program seeks to reinvigorate bibliographical studies within the humanities

 

Charlottesville, VA, October 1, 2012 – Rare Book School (RBS) at the University of Virginia has been awarded an $896,000 grant from The Andrew W. Mellon Foundation to support a new three-year fellowship program, The Andrew W. Mellon Fellowship of Scholars in Critical Bibliography, whose aim is to reinvigorate bibliographical studies within the humanities.

 

The Mellon Fellowship program will enable a select group of doctoral candidates, postdoctoral fellows, and junior faculty in the humanities to receive advanced, intensive training in the analysis of textual artifacts. Led by a distinguished faculty drawn from the bibliographical community and professionals in allied fields, fellows will attend annual research-oriented seminars at Rare Book School and at major special collections libraries nationwide. Fellows will receive stipends to support research-related travel to special collections, and additional funds to host academic symposia at their home institutions.

 

“This grant will enable our School to deepen and extend its service to the bibliographical community by helping scholars incorporate bibliographical and book-historical methods into their own research and teaching,” said RBS Director Michael F. Suarez, S.J. “I am humbled by the trust that the Foundation has placed in our organization – and deeply gratified by its ratification of our core mission of bibliographical education.”

 

“I expect that these fellowships will sow the seeds for some of the most exciting work from the next generation of humanistic scholars,” commented Michael Winship, Professor of English at the University of Texas at Austin. “This Mellon Foundation grant is wonderful news! It will ensure that graduate students and early career academics have an opportunity to be exposed to the theories and methodologies of bibliographical practice.”

 

Twenty Mellon Fellowships will be awarded in the spring of 2013. The deadline for application to the program is December 1, 2012. More information about the Andrew W. Mellon Fellowship of Scholars in Critical Bibliography is available at:   http://www.rarebookschool.org/fellowships/mellon

 

About Rare Book School (RBS)

 

Rare Book School provides continuing-education opportunities for students from all disciplines and levels to study the history of written, printed, and born-digital materials with leading scholars and professionals in the fields of bibliography, librarianship, book history, manuscript studies, and the digital humanities. Founded in 1983, RBS moved to its present home at the University of Virginia in 1992. RBS is a not-for-profit educational organization affiliated with the University of Virginia. More information about RBS is available on its website:http://www.rarebookschool.org

 

For more information, contact:

 

Donna Sy

Mellon Fellowship Program Director 

Rare Book School

This e-mail address is being protected from spambots. You need JavaScript enabled to view it

Phone: (434) 243-4296 

 
Shakespeare Position Announcement

 

The Shakespeare Conference: SHK 23.0402  Friday, 5 October 2012

 

From:        Jim Harner < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         October 4, 2012 4:25:57 PM EDT

Subject:     Shakespeare Position Announcement

 

Associate Professor in Digital Shakespeare Studies

 

The Department of English at Texas A&M University invites applications for a tenured position at the associate professor rank in Digital Shakespeare Studies to begin in the Fall of 2013.  Applicants must have a Ph.D. in a relevant field and a substantial scholarly record in both Shakespeare Studies and Digital Humanities as well as ongoing research initiatives in these areas.  The successful candidate will teach a 2/2 load, including undergraduate and graduate courses in Shakespeare as well as a range of courses in early modern literature and Digital Humanities.  The DH courses will contribute to the offerings of the Digital Humanities Certificate.  The successful candidate will also assume the role of Executive Editor of Early Modern Digital Projects at the Initiative for Digital Humanities, Media, and Culture (IDHMC), including the World Shakespeare Bibliography, Digital Donne, eMOP (the early modern OCR project), and the digital Cervantes and Quixote Iconography projects.  The IDHMC, in collaboration with the Visualization Department (the only one in the country) and Computer Science, is developing sophisticated data analysis and visualization capacities to work with one of the largest digitized collections of early modern texts – 45 million page images.

 

Applicants should submit as PDFs a letter of application specifying how the applicant’s work advances research and teaching in Shakespeare Studies and Digital Humanities, together with a CV, by e-mail to Robert Griffin ( This e-mail address is being protected from spambots. You need JavaScript enabled to view it ).  Applicants should also have 3 letters of recommendation sent to Professor Griffin.  We will begin reviewing applications on November 12, 2012, and continue until the position is filled.  Interviews will be held at the MLA.

 

Minorities and women are especially encouraged to apply. Texas A&M is an AA/EEO employer, committed to diversity, and responds to the needs of dual-career couples.  Visit the English Department and IDHMC websites at: http://www-english.tamu.edu/ and http://idhmc.tamu.edu.

 

James L. Harner

Samuel Rhea Gammon Professor of Liberal Arts

Editor, World Shakespeare Bibliography

Department of English

Texas A&M University

College Station, TX 77843-4227

This e-mail address is being protected from spambots. You need JavaScript enabled to view it

 
CFP: Studia Neophilologica

 

The Shakespeare Conference: SHK 23.0401  Friday, 5 October 2012

 

From:        Robert Appelbaum < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         October 3, 2012 9:24:57 AM EDT

Subject:     CFP: Studia Neophilologica

 

Call for Papers

 

Studia Neophilologica, one of the oldest continuously published journals in the humanities in the world, issued on-line and in hard copy by Taylor & Francis, is now accepting submissions on all topics in the field of English Literature.

 

We are particularly interested in articles that address:

 

Early Modern English Literature, including Shakespeare

Literature and Violence

Literature and Material Culture

Literature and Aesthetic Theory

 

Instructions for authors can be found at the following website:

http://www.tandfonline.com/action/authorSubmission?journalCode=snec20&page=instructions

 

Robert Appelbaum

Professor of English Literature

English Department

Uppsala University

Uppsala SE-751 20

http://www.engelska.uu.se/People/Appelbaum/

 
 
SW/TX PCA/ACA, Shakespeare on Film Area

 

The Shakespeare Conference: SHK 23.0398  Monday, 1 October 2012

 

From:        Jessica M Maerz < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         October 1, 2012 2:00:56 PM EDT

Subject:     SW/TX PCA/ACA, Shakespeare on Film Area

 

CFP:  Southwest/Texas Popular Culture Association/American Culture Association

Shakespeare on Film, TV, and Video

Albuquerque, NM

Feb. 13-16, 2013

 

The Shakespeare on Film, Television, and Video Area is now accepting proposals for the SW/TX PCA/ACA’s 34th annual conference, which will be held at the Hyatt Regency Hotel and Conference Center in Albuquerque, NM.  This year’s theme is “Celebrating Popular/American Culture(s) in a Global Context”; we welcome proposals that engage with the overarching conference theme, as well as those that treat the convergence of filmed Shakespeare, pop culture, and mediatization more broadly. 

 

Potential topics might include: global Shakespeares; inter- and cross-cultural Shakespeares; Shakespearean auteurs; digital Shakespeares; Shakespeare and film genre; Shakespeare and the digital humanities; and postmodern Shakespeares.

 

Please submit a CV and 250-word proposal to conference2013.swtxpca.org by November 16, 2012. Inquiries may be directed to Area Chair Jessica Maerz at This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

 

Details about the conference, including information about conference travel and graduate student awards, can be found at www.swtxpca.org.

 

Jessica M. Maerz

Assistant Professor of Theatre Studies

School of Theatre, Film, and Television

University of Arizona

P.O. Box 210003

Tucson, AZ 85721-0003

 

Flyer for CFP icon CFP_Shakes_Film_Area_PCA_2013 (171.38 kB)

 
The Shakespeare Standard Calls for Editors & Contributors

 

The Shakespeare Conference: SHK 23.0396  Thursday, 27 September 2012

 

From:        Jeremy Fiebig < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         September 26, 2012 5:16:06 PM EDT

Subject:     The Shakespeare Standard Calls for Editors & Contributors

 

The Shakespeare Standard announces a Call for Editors and Contributors.

 

Editors are primarily responsible for selecting, and in some cases, generating content in areas including Education, Performance, Multimedia, Voices (commentary and editorials), Foolery, and Language, as well as several At-Large and Special Project positions. Editors in our main content areas work, generally with other members of an editorial team, to produce our weekly posts in that content area. Social Media editors work primarily on our Twitter and Facebook platforms, developing and implementing interaction and conversation in those platforms. We also invite interested persons to suggest hybrid or special project positions.

 

To find out more about our internships, click here.

 

While all contributors are volunteers, The Shakespeare Standard does allow contributors to include our donation coding in their posts so that they may receive payment. These details are all discussed with our Editors once you make a successful application.

 

To apply, email  This e-mail address is being protected from spambots. You need JavaScript enabled to view it . Be sure to include your name, contact information, a cover letter detailing your interest areas, a brief biography, and a current resume or vita.

 
Globe on Screen Opens in Cinemas Across the USA

 

The Shakespeare Conference: SHK 23.0395  Thursday, 27 September 2012

 

From:        Shakespeare’s Globe < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         September 25, 2012 12:27:03 PM EDT

Subject:     Globe on Screen Opens in Cinemas Across the USA

 

See three of the Globe’s critically acclaimed 2011 theatre season productions in cinemas across the USA.

 

This autumn, Shakespeare’s Globe in association with Arts Alliance Media, are bringing three of the critically acclaimed 2011 theatre season productions to cinemas across the USA.

 

Shakespeare’s All’s Well That Ends Well (begins October 11) and Much Ado About Nothing (begins October 23), and Marlowe’s Doctor Faustus (begins November 8) will be shown in their entirety. Recorded in HD, the films capture the experience of being at the Globe and offer a truly distinctive cinema experience.

 

“With the advent of new technology it is now possible to see and hear theatrical productions in the cinema with a wonderful sharpness and clarity.” Dominic Dromgoole, Artistic Director

 

Visit the Globe On Screen website to find a cinema near you and book tickets.

 

The Shakespeare Globe Trust

21 New Globe Walk 

Bankside, London SE1 9DT.

 

Nearest Underground stations: London Bridge, Mansion House, Southwark, St Paul’s. Nearest National Rail stations: London Bridge, Cannon Street, Blackfriars, Waterloo.

 
 
EMLS 16.2

 

The Shakespeare Conference: SHK 23.0394  Thursday, 27 September 2012

 

From:        Sean Lawrence < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         September 26, 2012 1:11:34 PM EDT

Subject:     EMLS 16.2

 

To whom it may concern:

 

The latest issue of Early Modern Literary Studies is now available. As usual, it is available for download free and without subscription at the following web address: http://purl.org/emls

 

Sincerely,

Sean Lawrence

 

 

Early Modern Literary Studies 16.2 (2012)

 

 

Articles:

 

Divided They Fall: (De)constructing the Triple Hecate in Spenser’s Cantos of Mutabilitie. Jessica Dell, McMaster University. [1]

 

‘When dead ones are revived’: The Aesthetics of Spectacle in Robert Greene’s James IV (c. 1590). Jenny Sager, Jesus College, University of Oxford. [2]

 

Homoerotic Pleasure and Violence in the Drama of Thomas Middleton. Adrian Blamires, Reading University. [3]

 

Beaumont and Fletcher’s Rhodes: Early Modern Geopolitics and Mythological Topography in The Maid’s Tragedy. Lindsay Ann Reid, Koç University, Istanbul.[4]

 

 

Reviews:

 

Edel Lamb,  Performing Childhood in the Early Modern Theatre: The Children's Playing Companies (1599 -1613). New York, NY: Palgrave Macmillan, 2009. M. Tyler Sasser, The University of Southern Mississippi. [5]

 

Jane Hwang Degenhardt and Elizabeth Williamson, eds, Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage. Farnham: Ashgate, 2011. Alison Searle, University of Sydney. [6]

 

Lynn S. Meskill, Ben Jonson and Envy. New York: Cambridge UP, 2009. Suzanne Penuel, University of South Carolina Lancaster. [7]

 

The Oxford Handbook of John Donne, edited by Jeanne Shami, Dennis Flynn, and M. Thomas Hester. Oxford: Oxford University Press, 2011. P. G. Stanwood, The University of British Columbia. [8]

 

Katrin Ettenhuber, Donne's Augustine: Renaissance Cultures of Interpretation. Oxford: Oxford University Press, 2011. Patrick J. Murray, University of Glasgow. [9]

 

 

Theatre Reviews:

 

Romeo and Juliet, presented by Action to the Word at Camden People’s Theatre, London, 14-26 February 2012. Thomas Larque. [10]

 

The Winter’s Tale, presented by Propeller at the Lyceum Theatre, Sheffield, 31 January - 4 February 2012, and on tour. Lisa Hopkins, Sheffield Hallam University. [11]

 

Cambridge Shakespeare, 2012. Michael Grosvenor Myer. [12]

 
CFP: Marlowe Conference at Blackfriars in June 2013

 

The Shakespeare Conference: SHK 23.0393  Thursday, 27 September 2012

 

From:        Sarah Enloe < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         Thursday, September 27, 2012 10:58 AM

Subject:     CFP: Marlowe Conference at Blackfriars in June 2013

 

Dear Colleagues,

 

The Marlowe Society of America solicits papers for its Seventh International Conference to be held on June 25-28th, 2013, at the American Shakespeare Center’s Blackfriars Playhouse in Staunton, VA. 

 

Hosted by MSA President Paul Menzer, the conference will feature keynote presentations by Susan P. Cerasano (Colgate University) Laurie Maguire (Magdalen College, University of Oxford), Leah Marcus (Vanderbilt University), and Garrett Sullivan (Pennsylvania State University). The professional productions by the American Shakespeare Center will complement special events, workshops, screenings, and productions designed specially for conference attendees.

Papers should be no more than fifteen minutes in length and present original research on any topic concerning the works of Christopher Marlowe. Please inquiries and abstracts to the conference Program Chair, Professor Jeremy Lopez, University of Toronto: This e-mail address is being protected from spambots. You need JavaScript enabled to view it

 

Sarah Enloe

American Shakespeare Center

Director of Education

540-885-5588 x28

540-292-3395

 

The American Shakespeare Center recovers the joy and accessibility of Shakespeare’s theatre, language, and humanity by exploring the English Renaissance stage and its practices through performance and education.

 
CFP: Shakespeare, Performance, Place

 

The Shakespeare Conference: SHK 23.0391  Monday, 24 September 2012

 

From:        BSA < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         September 21, 2012 7:50:51 PM EDT

Subject:     CFP: Shakespeare, Performance, Place

 

British Shakespeare Association

 

CALL FOR PAPERS

 

Shakespeare, Performance, Place

2-3 November 2012

Queen’s University, Belfast

 

This two-day conference investigates Shakespearean performance and its relationship to place, location and geography. The themes are chosen to coincide with the first Shakespearean production to be staged at Belfast’s new Lyric Theatre and performance is defined broadly to encompass theatrical event, film, television and mass media. Plenary speakers include Dr Patrick Lonergan (Galway), Dr Lucy Munro (Keele), Prof. Stuart Hampton-Reeves (University of Central Lancashire) and Prof. Mark Thornton Burnett (QUB).

 

The conference is a collaboration between the School of English, Queen’s University, the British Shakespeare Association and the Irish Renaissance Seminar.

 

The conference fee is £30, which includes a tour of the new Lyric Theatre, a ticket to see Macbeth (directed by Lynne Parker), a new Shakespeare film showing, coffee, lunches and reception.

 

If you are interested in offering a paper or just attending the conference please contact Dr Ramona Wray before 28 September 2012. A number of postgraduate bursaries have been generously provided by the BSA – again please contact Dr Ramona Wray for details.

 
 
Shakespeare Event Fri Sept 28, 1:00 Univ of Maryland

 

The Shakespeare Conference: SHK 23.0384  Tuesday, 18 September 2012

 

From:        Frank Hildy < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         September 18, 2012 9:57:43 AM EDT

Subject:     Shakespeare Event Fri Sept 28, 1:00 Univ of Maryland

 

SHAKSPER subscribers might be interested in the following talk by Alex Huang on Friday Sept 28th, (1:00 p.m.) which is being presented in conjunction with the UMD School of Theatre, Dance and Performance Studies /National Academy of Chinese Theatre Arts co-production of A MIDSUMMER NIGHT’S DREAM. Both are in the Clarice Smith Performing Arts Center. 

 

 

Professor Alex Huang

 

Director of the Dean’s Scholars in Shakespeare Program

 

Associate Professor of English, Theatre and Dance, 
East Asian Languages and Literatures, and International Affairs 
George Washington University

 

 

Public Lecture

 

“What country, friends, is this?”

The Meanings of Shakespeare and Asia Today

 

This illustrated presentation explores the unique challenges and rewards of touring Shakespeare productions, drawing on several cases of Asian adaptations at the World Shakespeare Festival at the London Globe during the London Olympics in summer 2012.

 

Friday September 28, 2012

1:00 to 2:00 pm

Clarice Smith Performing Arts Center

Leah M. Smith Hall, (room #2200)
 

Presented in conjunction with the UMD School of Theatre, Dance and Performance Studies /National Academy of Chinese Theatre Arts co-production of

 

A MIDSUMMER NIGHT’S DREAM

 

Clarice Smith Performing Arts Center, Kay Theatre


September 27-30, 2012

 

 

Public Lecture co-sponsored by:
The UMD Center for East Asian Studies


The Shakespeare Globe USA Research Archive

School of Theatre, Dance and Performance Studies

Department of English


UMD Asian American Studies Program

UMD PhD Program in Theatre and Performance Studies.

 

Alex Huang is Director of the Dean’s Scholars in Shakespeare Program and Associate Professor of English, Theatre and Dance, East Asian Languages and Literatures, and International Affairs at George Washington UniversityHis teaching and publications are unified by a commitment to understanding the mobility of early modern and postmodern cultures in their literary, performative, and digital forms of expression.

 

He has published widely in English, German, and Chinese on cultural globalization, translation, intercultural performance, Shakespeare, Chinese and diaspora studies, and digital humanities. His first book Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press), which received the Modern Language Association’s (MLA) Aldo and Jeanne Scaglione Prize, the Colleagues’ Choice Award of the International Convention for Asian Scholars (ICAS), and an honorable mention of New York University’s Joe A. Callaway Prize for the Best Book on Drama or Theatre. His new book Weltliteratur und Welttheater: Ästhetischer Humanismus in der kulturellen Globalisierung (World Literature and World Theatre: Aesthetic Humanism in Cultural Globalization, 2012) examines the role of aesthetic humanism in the recent historical record of globalization. His other books include Shakespeare in Hollywood, Asia and Cyberspace (Purdue University Press; co-edited) and Class, Boundary and Social Discourse in the Renaissance (co-edited). He is also a contributor to the iPad app on The Tempest (https://luminarydigitalmedia.com/joomla-1p5/). 

 

Supported by the ACLS, ISA, Folger Institute, NEH, Chiang Ching-Kuo Foundation, SSHRC, and several other institutions and agencies, Huang's research has been published in Theatre Journal, Shakespeare Survey, Theatre Survey, Asian Theatre Journal, MLQ: Modern Language Quarterly, Shakespeare Bulletin, Shakespeare, Shakespeare Studies, China Review International, Archiv für das Studium der neueren Sprachen und Literaturen, World Literature Today, and other peer-reviewed journals and books from Oxford, Cambridge, Toronto, and other publishers. 

 

Huang is currently a General Editor of the Shakespearean International Yearbook, chair of the MLA committee on the New Variorum Edition of Shakespeare, Performance Editor of the Internet Shakespeare Editions, and Research Affiliate in Literature at MIT where he co-founded and co-directs Global Shakespeares (http://globalshakespeares.org), an open-access digital performance video archive. He is the incoming President of the Mid-Atlantic Association for Asian Studies (MAR/AAS), and has made guest appearances on BBC Radio, BBC 2, BBC TV, and other television and radio programs to discuss Shakespeare and globalization.

 

Sincerely:

Prof. Franklin J. Hildy

Director of the PhD Program in

Theatre and Performance Studies

 

School of Theatre, Dance,

    and Performance Studies

2809 Clarice Smith PAC

University of Maryland

College Park, MD 20742-1601

 

phone 301-405-3157 fax 301-314-9599

http://www.tdps.umd.edu

 
 
Latest Issue of Cahiers Elisabethains

 

The Shakespeare Conference: SHK 23.0378  Thursday, 13 September 2012

 

From:        Jean-Christophe Mayer < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

Date:         September 13, 2012 12:58:38 PM EDT

Subject:     Latest Issue of Cahiers Elisabethains

 

Dear List Members,

 

The latest issue of Cahiers Elisabethains is now available: Cahiers Elisabethains 81 (2012).

 

* Please note also that article submissions are now open for the next issues of the journal. For details about submissions and/or subscriptions, please see the end of this message.

 

 

CONTENTS

Editorial Policy

Contributors

Abstracts

 

ARTICLES

 

The Gods’ Lasciviousness, Or How To Deal With It? The Plight Of Early Modern Mythographers (Charlotte Coffin)

 

The Changeling at Court (Mark Hutchings)

 

Massinger’s Believe As You List and the Politics of Necessity (Marina Hila)

 

NOTE

The Pricking in Shakespeare’s Sonnet 20 (Rodney Stenning Edgecombe)

 

REVIEW ARTICLE

The American Shakespeare Center: “They Do it With the Lights On” (Marina Favila)

 

PLAY REVIEWS

A Midsummer Night’s Dream, directed by Theu Boermans for Het Nationale Toneel, Leeuwarden, The Netherlands, 10 January 2012 (Coen Heijes)

 

Troilus and Cressida, directed by Tina Packer, Actors’ Shakespeare Project, The Modern Theatre at Suffolk University, Boston, Massachusetts, 28 April 2012 (Kaara L. Peterson)

 

Twelfth Night, directed by Melia Bensussen for the Actors’ Shakespeare Project, Plaza Theatre at the Boston Center for the Arts, Boston, Massachusetts, 15 October 2011 (Richard J. Larschan)

 

Much Ado About Nothing, directed by Joe Dowling for the Guthrie Theater, Wurtele Thrust Stage, Minneapolis, 6 October 2011, centre-front stalls, and 3 November 2011

 

& Julius Caesar, directed by Rob Melrose for the Acting Company in partnership with the Guthrie Theater, Dowling Studio, Minneapolis, 17 January 2012 (Gayle Gaskill)

 

Measure for Measure, directed by Roxana Silbert for the Royal Shakespeare Company, The Swan Theatre, Stratford-upon-Avon, 23 November 2011 (John Jowett)

 

The Taming of the Shrew, an RSC Young People’s Shakespeare production directed by Tim Crouch, using an abridged text edited by the director, The Swan Theatre, Stratford-upon-Avon, 10 October 2011 (Jon Harvey)

 

Doctor Faustus, directed by Matthew Dunster, Shakespeare’s Globe Theatre, 23 June 2011 (Eleanor Collins)

 

A Midsummer Night’s Dream, directed by Sean Holmes for Filter, Curve, Leicester, 2 November 2011 (Peter Kirwan)

 

The Changeling, directed by Joe Hill-Gibbins, Young Vic, London, 25 February 2012 (Penelope Geng)

 

King Lear, directed by Andrew Hilton, The Tobacco Factory, Bristol, 29 February 2012 (Peter J. Smith)

 

Richard III and The Comedy of Errors, directed by Edward Hall for Propeller, Hampstead Theatre, London, 29 June 2011 (José A. Pérez Diez)

 

The Two Gentlemen of Verona, directed by Matthew Dunster, Royal & Derngate, Northampton, 14 October 2011 (Elinor Parsons)

 

Macbeth [Aspects], directed by Julien Guill, La Laiterie des Beaux-Arts, Montpellier, 27 February 2011 (Gaëlle Ginestet)

 

’Tis Pity She’s a Whore, by John Ford, directed by Declan Donnellan, Les Gémeaux, Scène Nationale-Sceaux, Sceaux, 4 December and 8 December 2011 (Stéphane Huet)

 

Le Songe d’une nuit d’été [A Midsummer Night’s Dream], directed by Nicolas Briançon, Théâtre de la Porte Saint-Martin, Paris, 22 October 2011 (Estelle Rivier)

 

Roméo et Juliette, directed and translated by Olivier Py, Théâtre National Populaire de Villeurbanne, 12 January 2012 (Nathalie Crouau)

 

BOOK REVIEWS

Gilles Monsarrat, Sir Brian Vickers FBA, and R. J. C. Watt, eds., The Collected Works of John Ford, vol. 1 (Oxford: Oxford University Press, 2011) (Yves Peyré)

 

Iain Beavan, Peter Davidson and Jane Stevenson, eds., The Library and Archive Collections of the University of Aberdeen: An Introduction and Description (Manchester: Manchester University Press, with the University of Aberdeen, 2011) (Stuart Sillars)

 

Maria Franziska Fahey, Metaphor and Shakespearean Drama: Unchaste Signification (Houndmills and New York: Palgrave Macmillan, 2011) (David Coleman)

 

Graham Holderness, Nine Lives of William Shakespeare (London and New York: Continuum, 2011) (Alice Leonard)

 

Alexander C. Y. Huang, Chinese Shakespeares: Two Centuries of Cultural Exchange (New York: Columbia University Press, 2009) (Jesse Field)

 

BOOKS RECEIVED

Compiled by Janice Valls-Russell

 

INDEXES (Cahiers Élisabéthains 71-80): after page 92

Author Index / Subject Index / Play Review Index

 

To order issues:  < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

 

Submissions can be send to either of Cahiers's assistant editors: < This e-mail address is being protected from spambots. You need JavaScript enabled to view it > or < This e-mail address is being protected from spambots. You need JavaScript enabled to view it >

 

More information: <http://recherche.univ-montp3.fr/cahiers/>

 

Sincerely,

Jean-Christophe Mayer and Nathalie Vienne-Guerrin

Co-General Editors

 
 
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