Latest Issue of Cahiers Elisabethains and Announcement
The Shakespeare Conference: SHK 24.0548 Thursday, 5 December 2013
From: Jean-Christophe Mayer <
Date: December 4, 2013 at 1:56:39 PM EST
Subject: Latest Issue of Cahiers Elisabethains and Announcemen
Dear List Members,
The latest issue of Cahiers Elisabethains is now available: Cahiers Elisabethains 84 (2013).
* We are proud to announce that as of 2014 our journal will be published in both print and electronic formats by Manchester University Press. For a free sample of the electronic version of our previous issue, click here: <http://tinyurl.com/kx5rbmv> and to read the press release access <http://www.manchesteruniversitypress.co.uk/uploads/docs/CahiersPressRelease.pdf>
* Please note also that article submissions are now open for the next issues of the journal. For details about submissions and/or subscriptions, please see the end of this message or visit <http://www.manchesteruniversitypress.co.uk/cgi-bin/scribe?showinfo=ip038>
Alice Leonard: “Enfranchised” Language in Henry V and The Dutch Courtesan
H. Gaston Hall: Repetition, Inversion and Metaphor in Two Moments of Hamlet
Gordon Jones: The Sad Shepherd Revisited
PERFORMANCE IN CONTEXT ARTICLES
Susan L. Fischer: Opera as Theatre: Verdi’s “Mythical” Macbeth on the Boards of the French Stage
Sarah Hatchuel: Down to Earth: Branagh’s Macbeth at Manchester International Festival 2013
A Satire of the Three Estates, directed by Greg Thompson for “Staging the Scottish Court”, The Peel at Linlithgow Palace, 8 June 2013 (Lucy R. Hinnie)
Coriolanus, directed by Lin Zhaohua for the Beijing People’s Art Theatre, China, The Edinburgh Playhouse, Edinburgh International Festival, 20 August 2013 (Anne-Kathrin Marquardt)
Edward II, directed by Joe Hill-Gibbins, Olivier Theatre (National), London, 17 September 2013
A Mad World, My Masters, directed by Sean Foley for the RSC, Swan Theatre, Stratford-upon-Avon, 13 June 2013 (Peter J. Smith)
As You Like It, directed by Maria Aberg for the RSC, Royal Shakespeare Theatre, Stratford-upon-Avon, 24 April 2013 (James Stredder)
Othello, directed by Nicholas Hytner for the National Theatre, London, 22 June 2013 (Neil Allan)
Pericles, directed by Allyn Burrows, Actors’ Shakespeare Project, The Modern Theatre at Suffolk University, Boston, USA, 20 April 2013 (Kaara L. Peterson)
As You Like It, directed by Dan Rothenberg of Philadelphia’s Pig Iron Theatre, for The Acting Company in association with the Guthrie Theater, Dowling Studio, Minneapolis, USA, 15 January 2013; & The Taming of the Shrew and Twelfth Night, directed by Edward Hall for Propeller in association with the Touring Partnership, Guthrie Theater, Wurtele Thrust Stage, 6 March and 19 March 2013 respectively (Gayle Gaskill)
Richard III, directed by Tim Carroll at Shakespeare’s Globe Theatre, London, 13 September, and 6 October 2012 (José A. Pérez Díez)
Twelfth Night, directed by Tim Carroll, Shakespeare’s Globe Theatre, London, 27 September and 10 October 2012 (José A. Pérez Díez)
Harry The Sixth / The Houses of York and Lancaster / The True Tragedy of the Duke of York, directed by Nick Bagnall for Shakespeare’s Globe, Theatre Royal, York, 6 July 2013 (Peter Kirwan)
Macbeth, directed by Eve Best, Shakespeare’s Globe Theatre, London, 16 July 2013 (Peter J. Smith)
A Midsummer Night’s Dream, directed by Dominic Dromgoole, Shakespeare’s Globe Theatre, London, 31 May 2013 (Peter J. Smith)
The Tempest, directed by Jeremy Herrin, Shakespeare’s Globe Theatre, London, 7 May 2013 (Peter J. Smith)
Indian Tempest, directed by Paddy Hayter for Footsbarn in collaboration with Abhinaya Theatre, Shakespeare’s Globe Theatre, London, 1 August 2013 (Thea Buckley)
David Carnegie and Gary Taylor, eds., The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play, (Oxford: Oxford University Press, 2012) (Jeffrey Kahan)
Paul Edmondson and Stanley Wells, eds., Shakespeare Beyond Doubt (Cambridge: Cambridge University Press, 2013) (Peter Kirwan)
Pascale Aebischer, Screening Early Modern Drama: Beyond Shakespeare (Cambridge: Cambridge University Press, 2013) (Peter Kirwan)
Florence March, Shakespeare au Festival d’Avignon. Configurations textuelles et scéniques, 2004-2010 (Montpellier: L’Entretemps, 2012) (Nathalie Rivère de Carles)
Barbara L. Estrin, Shakespeare and Contemporary Fiction. Theorizing Foundling and Lyric Plots (Newark: University of Delaware Press, 2012) (Janice Valls-Russell)
BOOKS RECEIVED (Compiled by Janice Valls-Russell)
Submissions can be send to either of Cahiers's assistant editors: <
> or <
For more information, consult our website or write to: <
With our best wishes for the festive season,
Jean-Christophe Mayer and Nathalie Vienne-Guerrin
Online HAMLET Lecture Announcement
The Shakespeare Conference: SHK 24.0546 Wednesday, 4 December 2013
From: Jake Goldberg <
Date: December 4, 2013 at 11:18:34 AM EST
Subject: Online HAMLET Lecture Announcement
For its next online event, LibertasU has invited two well-respected academics, Professors John Alvis and Thomas K. Lindsay, to discuss Shakespeare’s Hamlet from the perspectives of Hamlet, Fortinbras, and Machiavelli. Professor John Alvis will be presenting Shakespeare’s interpretation of Hamlet and Fortinbras, while Professor Tom Lindsay will be presenting Machiavelli’s views on both.
This lecture will be limited to 18 guests and will feature ample opportunity for questions, discussion and debate.
Where: The LibertasU virtual campus
When: Tuesday, December 10, 2013 at 8:00PM Eastern time
How: To register, send an email to
Info: For more information please visit www.libertasu.com/freelecture4.html
LibertasU is an independent and nonsectarian private institution, devoted to making high quality, liberal arts courses available to as many people as possible. It is committed to maintaining the highest level of academic integrity and to fostering a culture of open dialogue and debate of ideas.
Globe 2014 Season Announcement
The Shakespeare Conference: SHK 24.0545 Wednesday, 4 December 2013
From: Hardy Cook <
Date: December 4, 2013 at 12:39:33 PM EST
Subject: Globe 2014 Season Announcement
Globe 2014 Season Announcement
Drawing together two momentous anniversaries: the 450th anniversary of Shakespeare’s birth and the centenary of the First World War, our next Globe season, entitled Arms and the Man, will include new productions of Shakespeare’s Antony & Cleopatra, Julius Caesar directed by Dominic Dromgoole, The Comedy of Errors directed by Blanche McIntyre, and a revisiting of Lucy Bailey’s 2006 production of Titus Andronicus.
The season will also bring four new write plays: Doctor Scroggy’s War by Howard Brenton, Holy Warriors by David Eldridge, Simon Armitage’s The Last Days of Troy and Richard Bean’s Pitcairn.
Next year’s touring productions will see the start of the global tour of Hamlet, a revival of this year’s King Lear, a mid-scale reworking of Dominic Dromgoole’s 2013 A Midsummer Night’s Dream and Much Ado About Nothing.
As part of our international Globe to Globe programme, Deafinitely Theatre will return to stage A Midsummer Night’s Dream in British Sign Language and Theatre Arpana will present All’s Well That Ends Well in Gujarati. Rakatá will stage Lope de Vega’s classic Punishment Without Revenge in Spanish.
Invitation to Bryn Mawr College SPT HENRY IV Directed by Rebecca Cook
The Shakespeare Conference: SHK 24.0539 Saturday, 30 November 2013
From: Hardy M. Cook <
Date: Saturday, November 30, 2013
Subject: Invitation to Bryn Mawr College SPT HENRY IV Directed by Rebecca Cook
I would like to invite anyone who would be in the west Philadelphia area December 5th, 6th, or 7th to the Bryn Mawr College Shakespeare Performance Troupe’s second production of the semester, HENRY IV, directed by Rebecca Cook. This is Rebecca’s debut at directing and the first time in memory that the SPT has mounted a history play. The performance will be staged in the Thomas Great Hall, which puts the Great Hall in Hogwarts to shame.
The text relies most heavily on 1 Henry 4 but contains portions of 2 Henry 4 and the Epilogue to 2 Henry 4, performed by Rebecca Cook. Shakespeare dabbler Hardy Cook had a small hand in shaping this performance text.
The production will have amazing costumes and dazzling fight scenes choreographed by a stage combat professional. The swords are pretty cool too.
I will be attending all three performances. If you come, please say hello. I am a Falstaff-looking guy sans cup of Sack but with a long ponytail. If you still don’t recognize me, I’ll be the guy beaming with fatherly pride.
Bryn Mawr College Shakespeare Performance Troupe Presents
By William Shakespeare
Thomas Great Hall
December 5th, 6th, and 7th
(Doors open at 7:00)
Book Announcement: Shakespeare and Outsiders
The Shakespeare Conference: SHK 24.0537 Friday, 29 November 2013
From: Marianne Novy <
Date: November 29, 2013 at 10:06:04 AM EST
Subject: Book Announcement: Shakespeare and Outsiders
Amazon has a 30% discount on all books until December 1—so it’s a good time to considering ordering my new book, Shakespeare and Outsiders, in paperback in the Oxford Shakespeare Topics series.
Some of Shakespeare’s most memorable characters are treated as outsiders in at least part of their plays-Othello, Shylock, Malvolio, Katherine (the ‘Shrew’), Edmund, Caliban, and many others. Marked as different and regarded with hostility by some in their society, many of these characters have become icons of group identity. While many critics use the term “outsider,” this is the first book to analyse it as a relative identity and not a fixed one, a position that characters move into and out of, to show some characters affirming their places as relative insiders by the way they treat others as more outsiders than they are, and to compare characters who are outsiders not just in terms of race and religion but also in terms of gender, age, poverty, illegitimate birth, psychology, morality, and other issues.
Are male characters who love other men outsiders for that reason in Shakespeare? How is the suspicion of women presented differently than suspicion of racial or religious outsiders? How do the speeches in which various outsiders stand up for the rights of their group compare? Can an outsider be admired? How and why do the plays shift sympathy for or against outsiders? How and why do they show similarities between outsiders and insiders? With chapters on Merchant of Venice, Twelfth Night, Othello, King Lear, The Tempest, and women as outsiders and insiders, this book considers such questions with attention both to recent historical research on Shakespeare’s time and to specifics of the language of Shakespeare’s plays and how they work on stage and screen.
Reviews on Amazon by Phyllis Rackin, Michael Witmore, and Julie Bowman.
Professor of English
University of Pittsburgh
Shakespeare & Watson Web Series at Trip City
The Shakespeare Conference: SHK 24.0533 Monday, 25 November 2013
From: Chris Miskiewicz <
Date: November 25, 2013 at 8:35:44 AM EST
Subject: Shakespeare & Watson Web Series at Trip City
For Immediate Release: Fictitious Time Traveling Victorian Era Master Detective And Famous Elizabethan Playwright Open A Detective Agency In Williamsburg Brooklyn – The Adventures Of Shakespeare & Watson: Detectives Of Mystery
Trip City is proud to announce the launch of Shakespeare & Watson: Detectives of Mystery, a new web series from Chris Miskiewicz and Christopher Piazza.
The Adventures of Shakespeare & Watson Detectives of Mystery pairs William Shakespeare and Dr. John Watson as time traveling detectives who are trapped in the present after an accident with their time cane. Sherlock Holmes and Dr. John Watson have traveled to William Shakespeare’s era to solve “The Riddle of a Thousand Faces,” but Professor Moriarty sprang a clever ruse, breaking Sherlock’s “time cane,” causing a “temporal storm” that sends Sherlock and Moriarty to times unknown, and Shakespeare and Watson to the present. Together, the unorthodox partners have formed the premier detective agency in all of north Brooklyn to fight crime while trying to figure out a way to get back to their own eras.
The Adventures of Shakespeare & Watson: Detectives of Mystery premiered at Trip City, A Brooklyn-Filtered Literary Arts Salon, created & curated by Dean Haspiel (Billy Dogma, Emmy Award Winning Artist of HBO's Bored to Death,) Seth Kushner (Leaping Tall Buildings,) Jeffrey Burandt (Americans UK) and writer Chris Miskiewicz (Everywhere, Thomas Alsop.
Shakespeare & Watson is a collaboration between Nicky Dog Pictures, PanopticonNYC, and Spygirl Pictures, starring David Blatt as a William Shakespeare, Chris Miskiewicz (Bored to Death/White Collar) as Doctor John Watson, Award-winning British graphic novelist Nick Abadzis as Sherlock Holmes, and rock & roll drumming legend Ozzie Martinez as the loveable Cracky. Directed by Christopher Piazza. Written by Chris Miskiewicz & Christopher Piazza. Edited by Kathleen Green.
Follow Shakespeare & Watson @ Twitter @ShakesWatson and @LordCracky
Facebook @ facebook.com/shakesandwatson
Youtube @ www.youtube.com/ShakespeareandWatson
Funny or Die @ http://www.funnyordie.com/shakespearewatson
Ralph Cohen Honored by the Folger Shakespeare Library
The Shakespeare Conference: SHK 24.0527 Wednesday, 21 November 2013
From: Hardy Cook <
Date: November 20, 2013 at 2:38:09 PM EST
Subject: Ralph Cohen Honored by the Folger Shakespeare Library
Ralph Alan Cohen, Director of Mission and Co-Founder of the American Shakespeare Center, has been awarded the 2013 Shakespeare Steward Award, presented annually by the Folger Shakespeare Library in recognition of outstanding contributions to the innovative teaching of Shakespeare in American classrooms.
Folger Director Michael Witmore presented Cohen with the award on October 26, 2013 at the closing event of the Blackfriars Conference, the American Shakespeare Center’s biennial gathering of scholarship on early modern drama. “Ralph has a long been a leader in the community of Shakespeare scholars who see that there is much to learn from the practice of staging Shakespeare’s plays,” noted Witmore. “People think differently about Shakespeare and Renaissance drama because of what Ralph has done.”
Peggy O’Brien, the Folger’s Director of Education added, “Ralph is close to magical. All of his gifts—scholar, teacher, director, and entrepreneur—have driven work that has created lively and exciting Shakespeare experiences for hundreds of thousands of students and teachers. And the founding and growth of the American Shakespeare Center besides! It’s an honor for us at the Folger to honor him."
Past recipients of the Shakespeare Steward Award include the partnership between the Chicago Shakespeare Theater and Chicago Public Schools; scholars Gail Kern Paster and Jeanne Addison Roberts; the Denver Public Schools Shakespeare Festival; Peggy O’Brien; and the inaugural recipient, Susan Biondo-Hench, a high school English teacher in Carlisle, Pennsylvania who founded a student Shakespeare festival in her community.
In 1988, Cohen and Jim Warren formed the Shenandoah Shakespeare Express, a touring theatre company focused on bringing back the energy of early modern theatre by using their staging conditions. 25 years later, the company has been renamed The American Shakespeare Center, and has brought Shakespeare performances to hundreds of American communities and advanced an interest in Shakespeare and his times by building a re-creation of the Blackfriars Theatre and creating an American center for the performance and study of Shakespeare in Staunton, Virginia.
Cohen, Co-founder and Director of Mission at the American Shakespeare Center, is Gonder Professor of Shakespeare and Performance and founder of the Master of Letters and Fine Arts program at Mary Baldwin College.
He has directed 30 productions of plays by Shakespeare and his contemporaries, including America’s first professional production of Francis Beaumont’s The Knight of the Burning Pestle. He also directed the first revival of Thomas Middleton’s Your Five Gallants and co-edited the play for Oxford University Press’s Collected Works of Thomas Middleton.
He is the author of ShakesFear and How to Cure It: A Handbook for Teaching Shakespeare. He twice edited special teaching issues of Shakespeare Quarterly and has published articles on teaching Shakespeare as well as on Shakespeare, Jonson, and Elizabethan staging. ShakesFear will see its second printing in 2014.
He founded the Studies Abroad program at James Madison University, where he won Virginia’s award for outstanding faculty. He has frequently directed summer institutes on Shakespeare and staging sponsored by the National Endowment for the Humanities. In 2001 he established the Blackfriars Conference, a biennial week-long celebration of early modern drama in performance.
In 2008 he won the Commonwealth Governor’s Arts Award along with ASC Co-Founder Jim Warren. In 2009 he was the Theo Crosby Fellow at Shakespeare’s Globe in London. He earned his undergraduate degree at Dartmouth College and his doctorate at Duke University and has honorary degrees from St. Lawrence University and Georgetown University.
Hamlet: The Undiscovered Country, Second Edition and E-book
The Shakespeare Conference: SHK 24.0525 Tuesday, 20 November 2013
From: Steve Roth <
Date: November 19, 2013 at 8:33:28 PM EST
Subject: Hamlet: The Undiscovered Country, Second Edition and E-book
Fellow SHAKSPEReans: Many of you have been kind enough to support and help me with my Hamlet book, and I wanted to let you know that it's just been released in a second edition, and (finally) in an e-book edition.
It’s not hugely changed, but I have worked in many insights and corrections that have arisen since the first edition, many of them arrived at with your help. (Thanks!)
I’m especially pleased with the e-book version, which—because of the book’s many tables and other special text and graphic elements—was a challenging conversion. I think the e-book reading experience may be even better than print (something I rarely say about e-books). This not least because all the laboriously embedded hyperlinks to the play text, and to primary and secondary source materials, are working.
If you’re among those I address above and I haven’t written to you directly offering a copy of the e-book, or if you’d like to consider it for class adoption, please don’t hesitate to drop me a line; I’d love to send you one.
Thanks for listening,
The Shakespeare Conference: SHK 24.0520 Monday, 18 November 2013
From: Richard Waugaman <
Date: November 17, 2013 at 5:13:25 PM EST
Subject: Performance of King John
An excellent production of King John will be performed for one more week near Washington, DC, at the Avant Bard Theater—
King John gave us Robin Hood and the Magna Carta. Find out why. In a fever dream of British royal history, Shakespeare’s most enigmatic king wrestles with covetous heirs, rebellious lords and his own conscience as he struggles to retain the throne–and his own sanity.
Directed by Artistic Director Tom Prewitt and featuring Acting Company members Christopher Henley, Cam Magee and Chuck Young.
Previews: October 27 at 2:00 pm, October 29-31 at 7:30 pm
Opening Night: Friday, November 1, 2013 at 7:30 pm.
Performances: Thursday-Saturday at 7:30 pm; Saturday and Sunday at 2 pm through November 24.
All previews and Saturday matinees are Pay What You Can!
For tickets, order online or call WSC Avant Bard at 703-418-4808.
Theatre on the Run
3700 South Four Mile Run Drive
Arlington, VA 22206
Richard III - Silent Film Screening
The Shakespeare Conference: SHK 24.0519 Monday, 18 November 2013
From: Hardy Cook <
Date: November 15, 2013 at 5:25:04 PM EST
Subject: Richard III - Silent Film Screening
Richard III - Silent film screening
Silent Film Special Event in partnership with The University of York
On 27 Nov at 6pm we will be screening a silent film version of Richard III in the main auditorium. The film stars celebrated stage and screen actor Frank Benson as a deliciously dastardly Richard in a precious piece of film and theatre history recorded on the stage of Stratford’s Shakespeare Memorial Theatre in 1911. The film will feature musical accompaniment and, in a performance first, will be voiced live by our cast from the stage production to a commissioned ‘silent cinema actor script’.
Script, voice-to-screen direction and introduction: Judith Buchanan
Tickets: £5, or £3 students and for those who have a ticket to the theatre production
Event Running Time: 45 mins total, including introduction and a short Q&A after the screening
With live, original piano accompaniment by John Sweeney