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More on *Hamlet* Interpretations |
Shakespeare Electronic Conference, Vol. 4, No. 299. Friday, 14 May 1993.
(1) From: John Cox <
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Date: Friday, 14 May 1993 08:57 EST
Subj: Re: SHK 4.0294 Re: *Hamlet* Interpretations
(2) From: Tad Davis <
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Date: Friday, 14 May 93 9:18:22 EDT
Subj: Re: SHK 4.0294 Re: *Hamlet* Interpretations
(3) From: Robert Burke <BURKE@RCKHRST1.bitnet>
Date: Friday, 14 May 1993 12:31:02 -0500 (CDT)
Subj: Re: SHK 4.0296 *Hamlet Goes Business*
(1)----------------------------------------------------------------------------
From: John Cox <
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Date: Friday, 14 May 1993 08:57 EST
Subject: 4.0294 Re: *Hamlet* Interpretations
Comment: Re: SHK 4.0294 Re: *Hamlet* Interpretations
I have passed Ronald Dwelle's description of the Hope College *Hamlet* on to
John Tammi, who directed it. I believe I'm right in saying that the inspira-
tion for multiple actors/actresses in the same role came from SHAKSPER. I
sent Tammi several SHAKSPER notices about *Hamlet* productions last fall, when
he was planning the production. Some (or one?) of them included the idea of
more than one person playing the same character.
John Cox
(2)----------------------------------------------------------------------------
From: Tad Davis <
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Date: Friday, 14 May 93 9:18:22 EDT
Subject: 4.0294 Re: *Hamlet* Interpretations
Comment: Re: SHK 4.0294 Re: *Hamlet* Interpretations
I haven't seen it mentioned here (maybe I missed it in passing)... but I
just ran across Marvin Rosenberg's "The Masks of Hamlet" in the library. A
veritable feast for those who like to wallow in Shakespeare in general and
this play in particular. Rosenberg's "The Masks of Lear" was one of those
mind-bending books I read many years ago that helped cement me to
Shakespeare for life.
Tad Davis
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(3)----------------------------------------------------------------------------
From: Robert Burke <BURKE@RCKHRST1.bitnet>
Date: Friday, 14 May 1993 12:31:02 -0500 (CDT)
Subject: 4.0296 *Hamlet Goes Business*
Comment: Re: SHK 4.0296 *Hamlet Goes Business*
Since several have shared "interesting" adaptations of Hamlet, some might
be interested to hear of a small theatre group in Omaha sometime in the
winter of 1992. They put on a production called Fortinbras Got Drunk.
Though I did not find the overall impact very compelling, the premise was fun:
the entire Hamlet story was a plot by the Norwegian government to undermine
the rule of Claudius. In this version, the Ghost was a hired Norwegian
agent. And if I recall Polonius was also in the Norwegian employ. Fun,
if ultimately unsuccessful.
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