1993

Shakespeare Electronic Conference, Vol. 4, No. 203.  Tuesday, 30 March 1993.
 
(1)     From:   Stephen Orgel <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Monday, 29 Mar 93 17:11:44 PST
        Subj:   Re: SHK 4.0197  Re: Audience Participation
 
(2)     From:   Stephen Orgel <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Monday, 29 Mar 93 17:16:12 PST
        Subj:   Re: SHK 4.0190  Q: Iago and Santiago Matamoros
 
 
(1)----------------------------------------------------------------------------
From:           Stephen Orgel <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Monday, 29 Mar 93 17:11:44 PST
Subject: 4.0197  Re: Audience Participation
Comment:        Re: SHK 4.0197  Re: Audience Participation
 
I'd think Jonson's EVERY MAN OUT is the most elaborate example--"I not
observed this thronged round till now/ Gentle and kind spectators, you
are welcome," etc (I'm afraid I'm quoting from memory, so I may have
it a little wrong), and they are thereafter invoked numerous times
throughout the play. And of course the queen in the audience is asked to
resolve it.
 
Stephen Orgel
 
(2)----------------------------------------------------------------------------
From:           Stephen Orgel <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Monday, 29 Mar 93 17:16:12 PST
Subject: 4.0190  Q: Iago and Santiago Matamoros
Comment:        Re: SHK 4.0190  Q: Iago and Santiago Matamoros
 
Iago=James/Jacob; Ruskin pointed out that the Hebrew meaning of the name,
"supplanter", is relevant to the play.
 
Stephen Orgel

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