Shakespeare Electronic Conference, Vol. 5, No. 0205.  Thursday, 10 March 1994.
 
(1)     From:   Chris Ivic <
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        Date:   Tuesday, 8 Mar 1994 21:37:33 -0500
        Subj:   Re: SHK 5.0172 Re: Prospero, *The Tempest*, and Colonialism
 
(2)     From:   Roberta Williams <WILLIAMS_R@SNYBCCVA.BITNET>
        Date:   Thursday, 10 Mar 1994 13:15:56 -0500 (EST)
        Subj:   Robert Hayden and *The Tempest*
 
 
(1)----------------------------------------------------------------------------
From:           Chris Ivic <
 This e-mail address is being protected from spambots. You need JavaScript enabled to view it
 >
Date:           Tuesday, 8 Mar 1994 21:37:33 -0500
Subject: 5.0172 Re: Prospero, *The Tempest*, and Colonialism
Comment:        Re: SHK 5.0172 Re: Prospero, *The Tempest*, and Colonialism
 
You may also want to look at Eric Cheyfitz's _The Poetics of Imperialism:
Translation and Colonization from The Tempest to Tarzan_.
 
(2)----------------------------------------------------------------------------
From:           Roberta Williams <WILLIAMS_R@SNYBCCVA.BITNET>
Date:           Thursday, 10 Mar 1994 13:15:56 -0500 (EST)
Subject:        Robert Hayden and *The Tempest*
 
In the light of recent discussions of the colonialist  interpretation of *The
Tempest*, I thought people might be  interested in Robert Hayden's use of this
in the poem "Middle  Passage."  Echoing the art/magic motif of the play, Hayden
depicts  slave traders as evil magicians/bad artists whose magic turns
everything into its horrifying opposite.  Fred Fetrow's article,  "`Middle
Passage': Robert Hayden's Anti-Epic," in the June 1979  issue of *CLA Journal*,
might also be of interest.