Shakespeare Electronic Conference, Vol. 5, No. 0217. Friday, 11 March 1994.
(1) From: Tom Loughlin <
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Date: Thursday, 10 Mar 1994 19:25:54 -0500 (EST)
Subj: Re: SHK 5.0204 Welsh in *1H4*
(2) From: William Godshalk <GODSHAWL@UCBEH>
Date: Thursday, 10 Mar 1994 20:57:04 -0500 (EST)
Subj: Annotated Quartos
(1)----------------------------------------------------------------------------
From: Tom Loughlin <
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Date: Thursday, 10 Mar 1994 19:25:54 -0500 (EST)
Subject: 5.0204 Welsh in *1H4*
Comment: Re: SHK 5.0204 Welsh in *1H4*
In last summer's production of 1h4 at the American Players Theatre in
Spring Green, WI, the Welsh scene was left intact and the actors spoke
what I assume to be Welsh. There was even a Welsh song beautifully sung
by Glendower's daughter. I think, in this day and age, any
self-respecting Shakespearean actor in this country will break their butt
to learn the Welsh. I played Sir Hugh Evans last summer in MWW and
listened to Welsh tapes until my ears fell off to pull the dialect off.
(2)----------------------------------------------------------------------------
From: William Godshalk <GODSHAWL@UCBEH>
Date: Thursday, 10 Mar 1994 20:57:04 -0500 (EST)
Subject: Annotated Quartos
To Tom Berger,
You seem to forget the Rosenbach-Bodmer copy of TROILUS AND CRESSIDA, which I
have not seen, but which Kenneth Palmer reports to be uncut and with a width of
6 inches. He says there would have been plenty of room for a collator/annotator
to scribble in the margins.
But, Tom, we cannot immediately translate possibility into reality without firm
evidence. Can we? Should we? Just because a quarto has wide margins doesn't
mean that collators/annotators filled those margins with lines of poetry and
stage directions. (I wish they had!)
Yes, Leslie Thomson has told us that some quartos were used as promptbooks -
and these indeed had stage directions added. But Leslie will tell us all about
this in Albuquerque.
Till then, I remain, Sir, your humble seminarian,
Bill Godshalk
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