Shakespeare Electronic Conference, Vol. 6, No. 0644.  Friday, 25 August 1995.
 
(1)     From:   Terence Martin <STSMART@UMSLVMA>
        Date:   Thursday, 24 Aug 95 09:26:39 CDT
        Subj:   Film query
 
(2)     From:   Catherine Fitzmaurice Kozubei <
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 >
        Date:   Friday, 25 Aug 1995 00:33:38 -0400 (EDT)
        Subj:   obstacles/timing
 
 
(1)----------------------------------------------------------------------------
From:           Terence Martin <STSMART@UMSLVMA>
Date:           Thursday, 24 Aug 95 09:26:39 CDT
Subject:        Film query
 
For a colleague of mine interested in film and Shakespeare, could anyone tell
if and where a copy of Orson Welles' *Chimes at Midnight" can be obtained?  Any
response to me personally would be appreciated.
 
Terence Martin
UM - St. Louis
 
(2)----------------------------------------------------------------------------
From:           Catherine Fitzmaurice Kozubei <
 This e-mail address is being protected from spambots. You need JavaScript enabled to view it
 >
Date:           Friday, 25 Aug 1995 00:33:38 -0400 (EDT)
Subject:        obstacles/timing
 
I'm starting work in the morning on Mark Lamos' R&J, and I remember some fun
speculations on SHAKSPER about alternative futures for the protagonists - but -
I am particularly intrigued/puzzled by the back-to-back scenes at the top of
Act V, where Balthasar brings false, or rather, incomplete, news to R, and
Friar John is, he says, prohibited by outside forces from bringing a truthful
message from Friar Lawrence to R, and the shadowy identity of the Apothecary.
 
Any thoughts? Why do all involved lose trust in a positive outcome
of imagined delight?