Shakespeare Electronic Conference, SHK 8.0185. Tuesday, 11 February 1997.
(1) From: Sarah Werner <
This e-mail address is being protected from spambots. You need JavaScript enabled to view it
>
Date: Friday, 7 Feb 1997 12:34:26 -0500 (EST)
Subj: Re: SHK 8.0173 Re: Parallel Scenes
(2) From: Brad Morris <
This e-mail address is being protected from spambots. You need JavaScript enabled to view it
>
Date: Monday, 10 Feb 1997 14:38:25 -0500 (EST)
Subj: Re: Parallel Scenes
(1)----------------------------------------------------------------------------
From: Sarah Werner <
This e-mail address is being protected from spambots. You need JavaScript enabled to view it
>
Date: Friday, 7 Feb 1997 12:34:26 -0500 (EST)
Subject: 8.0173 Re: Parallel Scenes
Comment: Re: SHK 8.0173 Re: Parallel Scenes
If your friend is interested in doing parallel scenes that rewrite Shakespeare
as a political commentary, I'd suggest matching I.ii of _Tempest_ with the
second scene of Aime Cesaire's _A Tempest_. Originally written for a Black
theatre in French in 1969, Cesaire rewrites the play as an anti-colonialist
story told from Caliban's point of view. I've taught the two plays as pairs a
number of times, and my students have always responded very well to it.
Richard Miller's English translation of the play can be found from Ubu
Repretory Theater Publications (ISBN 0-913745-15-4). According to my copy,
production permission can be got from Georges Borchardt, Inc., 136 East 57th
Street, New York, NY, 10022; (212) 753-5785.
Sarah Werner
University of Pennsylvania
(2)----------------------------------------------------------------------------
From: Brad Morris <
This e-mail address is being protected from spambots. You need JavaScript enabled to view it
>
Date: Monday, 10 Feb 1997 14:38:25 -0500 (EST)
Subject: Re: Parallel Scenes
In a message dated 97-02-10 12:33:02 EST, you write:
<<Her question: what OTHER plays would work? Are there other "sets" where a Shn
>scene and an offshoot's scene would match? Are scripts available at a
>reasonable cost? Are videotapes available? >>
I can't call up correlating scenes at the moment, but Gus Van Zant's "My Own
Private Idaho" is for all intents and purposes a modern update of R3, only its
narcolepsy instead of scoleosis. It's a fine film, despite the presence of
Keanu Reeves. A little wierd, but good.
Brad
|