The Shakespeare Conference: SHK 8.0423.  Monday, 7 April 1997.

[1]     From:   <
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        Date:   Saturday, 5 Apr 1997 15:04:56 +0000
        Subj:   Re: SHK 8.0410  Re: Shakespeare and Modern Music

[2]     From:   Johanna Schmitz <
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        Date:   Saturday, 5 Apr 1997 10:44:05 -0800 (PST)
        Subj:   Re: Shakespeare and Modern Music

[3]     From:   John Drakakis <
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        Date:   Sunday, 6 Apr 1997 23:46:55 +0100
        Subj:   RE: SHK 8.0388 Qs: Sh. Mod. Music


[1]-----------------------------------------------------------------
From:           <
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Date:           Saturday, 5 Apr 1997 15:04:56 +0000
Subject: 8.0410  Re: Shakespeare and Modern Music
Comment:        Re: SHK 8.0410  Re: Shakespeare and Modern Music

Here's some more:

Laurie Anderson's 'Blue Lagoon' from the Gravity's Angel-album mixes The
Tempest and Moby Dick in a passage that starts off 'Full fathom five thy
father lies... and ends '...call me Ishmael'.

There may also be a reference to Macbeth in The Fall's* Elves* but I
could never work out the lyrics and I blame it on Mark E. Smith's
idiosyncratic singing. I'd suspect there should be something in Bauhaus,
too. They did this catchy tune on Artaud.

Eckart Voigts-Virchow

[2]-----------------------------------------------------------------
From:           Johanna Schmitz <
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Date:           Saturday, 5 Apr 1997 10:44:05 -0800 (PST)
Subject:        Re: Shakespeare and Modern Music

Sting: "Nothing Like the Sun"

[3]-----------------------------------------------------------------
From:           John Drakakis <
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Date:           Sunday, 6 Apr 1997 23:46:55 +0100
Subject: 8.0388 Qs: Sh. Mod. Music
Comment:        RE: SHK 8.0388 Qs: Sh. Mod. Music

Try The Sin Doctors, "Cleopatra's Cat", and then of course, there's Dire
Straits' "Romeo and Juliet"

Cheers
John Drakakis