The Shakespeare Conference: SHK 10.1713 Friday, 8 October 1999.
[1] From: Richard Burt <
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Date: Thursday, 07 Oct 1999 19:59:34 -0400
Subj: Re: SHK 10.1705 Shakespeare in Italy
[2] From: Karen Peterson-Kranz <
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Date: Friday, 8 Oct 1999 14:54:17 +1000
Subj: Re: SHK 10.1705 Shakespeare in Italy
[3] From: Skip Nicholson <
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Date: Thursday, 7 Oct 1999 23:01:44 -0700
Subj: RE: SHK 10.1705 Shakespeare in Italy
[1]-----------------------------------------------------------------
From: Richard Burt <
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Date: Thursday, 07 Oct 1999 19:59:34 -0400
Subject: 10.1705 Shakespeare in Italy
Comment: Re: SHK 10.1705 Shakespeare in Italy
Try Zeffirelli's Tea with Mussolini for starters.
[2]-------------------------------------------------------------
From: Karen Peterson-Kranz <
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Date: Friday, 8 Oct 1999 14:54:17 +1000
Subject: 10.1705 Shakespeare in Italy
Comment: Re: SHK 10.1705 Shakespeare in Italy
This sounds like a fascinating topic-I hope your student pursues it.
I'm aware of a couple of articles about Nazi use of Shakespeare, but
haven't seen anything specifically about Shakespeare in Fascist Italy.
Your student might want to check out *Fascism and Theatre: Comparative
Studies on the Aesthetics and Politics of Performance in Europe,
1925-1945* (1996; Gunter Berghaus, ed.). It might provide some leads.
Cheers,
Karen Peterson-Kranz
University of Guam
[3]-------------------------------------------------------------
From: Skip Nicholson <
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Date: Thursday, 7 Oct 1999 23:01:44 -0700
Subject: 10.1705 Shakespeare in Italy
Comment: RE: SHK 10.1705 Shakespeare in Italy
It may be to the side of your real aim, but several major productions of
recent decades have used fascist Italy (or a nameless but recognizable
surrogate) as a setting. Others will remember more than I can, but the
production of Romeo at the RSC (about 1988?) and one early in this
decade at the Stratford Festival in Canada-and available on video-use
such settings.
Cheers,
Skip Nicholson
South Pasadena (CA) HS
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