2000

The Shakespeare Conference: SHK 11.1039  Monday, 15 May 2000.

[1]     From:   Kevin De Ornellas <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Friday, 12 May 2000 17:30:31 GMT
        Subj:   Re: SHK 11.1015 Re: Ghosts

[2]     From:   Carol Morley <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Sunday, 14 May 2000 15:09:04 +0000
        Subj:   Re: SHK 11.1026 Re: Ghosts and Nightgowns


[1]-----------------------------------------------------------------
From:           Kevin De Ornellas <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Friday, 12 May 2000 17:30:31 GMT
Subject: 11.1015 Re: Ghosts
Comment:        Re: SHK 11.1015 Re: Ghosts

I agree with everything Hardy writes regarding the excellence of Dessen
and Thomson's 'Dictionary of Stage Directions'.  Get scribbling to
Cambridge: I crave, desire, yearn for an affordable paperback edition.
But remember that a splendid second edition (CUP, 1998) of Berger and
Bradford's 'Index of Characters' appeared quite recently.  This should
always be consulted in addition to Dessen and Thomson.  If you look
under 'GHOSTS' and 'SPIRITS' in Berger and Bradford, Carol, you will
find that Ghosts are accounted for in well over a hundred different
Renaissance plays.

Kevin

[2]-------------------------------------------------------------
From:           Carol Morley <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Sunday, 14 May 2000 15:09:04 +0000
Subject: 11.1026 Re: Ghosts and Nightgowns
Comment:        Re: SHK 11.1026 Re: Ghosts and Nightgowns

John Jowett is on my ghostly trail...and thanks to every one else now
veering off into 'Hamlet' proper and the niceties of night attire.

My original question was about the frustration of the ghost (High Priest
of Jerusalem no less) whose homicidal son is too far gone in guilty
madness even to recognise him. I should have added, he raves and
mistakes the ghost for 'the miller', so the floury connection is winning
over the enshrouded whiteness so far.

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