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Daniel Gerould's "Theatre/Theory/Theatre" |
The Shakespeare Conference: SHK 11.1355 Wednesday, 5 July 2000.
From: Tom Dale Keever <
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Date: Tuesday, 4 Jul 2000 16:36:24 -0400 (EDT)
Subject: Daniel Gerould's "Theatre/Theory/Theatre"
A recent post asked who was the publisher of a new collection of
critical works on theatre that seemed to be a successor of Dukore.
I was not at the conference where advance orders were taken, but the
book was almost certainly the following new collection by Professor
Daniel Gerould of CUNY. It is on sale at Applause Books here in New
York and should be available elsewhere shortly. I have appended the
table of contents that is posted by Amazon.com where it can be ordered.
It looks like it will be an essential addition to most well-stocked
libraries of dramatic literature.
Theatre / Theory / Theatre, edited by Daniel
Gerould
Hardcover - 512 pages (November 1999)
Applause Theatre Book Pub;
ISBN: 1557833095 ;
Dimensions (in inches): 1.31 x
9.70 x 6.31
Table of Contents
Foreword
Introduction: The Politics of Theatre Theory
Daniel Gerould
Aristotle: The Poetics (4th c. B.C.)
Ingram Bywater
Horace: The Art of Poetry (1st c. B.C.)
John Conington
Bharata: Natyasastra (1st c. A.D.?)
Adya Rangacharya
Zeami: On the Art of the No Drama (15th c.)
J. Thomas Rimer
Yamazaki Masakazu
Lodovico Castelvetro: The Poetics of Aristole
(1570)
Allan H. Gilbert
Philip Sidney: The Defense of Poesy (1583)
Giambattista Guarini: The Compendium of Tragicomic
Poetry (1599)
Allan H. Gilbert
Felix Lope de Vega: The New Art of Writing Plays
(1609)
Marvin Carlson
Francois Hedelin, abbe d'Aubignac: The Whole Art
of the Stage (1657)146
Pierre Corneille: Of the Three Unities of
Action, Time and Place (1660)
Donald Schier
Jobn Dryden: An Essay of Dramatic Poesy (1668)
Li Yu: Casual Expressions of Idle Feelings (1671)
Faye C. Fie William H. Sun
Denis Diderot: Conversations on The Natural Son
(1757)
Derek Coltman
The Paradox of Acting (1773-8) Walter
Herries Pollock
Jean-Jacques Rousseau: An Epistle to Mr.
d'Alembert (1758)
Samuel Johnson: Preface to Shakespeare (1765)
Gotthold Ephraim Lessing: Hamburg Dramaturgy
(1767-9)
Helen Zimmern
Friedrich Schiller:The Stage as a Moral
Institution (1784)
On the Use of the Chorus in Tragedy (1803)
Charles E. Passage
Mme de Stael: Of The Dramatic Art (1810)
August Wilbelm Schlegel: Lectures on Dramatic Art
(1809-11)
John Black
Jobann Wolfgang Goethe: Shakespeare Once Again
(1815)
Ellen von Nardroff
Ernest H. von Nardroff
Arthur Schopenbauer: The World as Will and
Idea (1819/1844) R. B. Haldane
J. Kemp
Victor Hugo: Preface to Cromwell (1827)
Barry V. Daniels
Georg Wilbelm Friedrich Hegel: The Philosophy
of Fine Art (1835)
F. P. B. Osmaston
Adam Mickiewicz: Slavic Drama (1843)
Daniel Gerould
Friedrich Nietzsche: The Birth of Tragedy (1872)
Clifton P. Fadiman
Emile Zola: Preface to Therese Raquin
(1873) Kathleen Boutall
Naturalism in the Theatre (1881) Jane House
August Strindberg: Preface to Miss Julie (1888)
Harry G. Carlson
Maurice Maeterlinck: The Tragical in Daily
Life (1896) Alfred Sutro
Gordon Craig: The Actor and the
Ubermarionette (1907)
William Butler Yeats: The Tragic Theatre (1910)
Vsevolod Meyerhold: The Fairground Booth (1912)
Edward Braun
Filippo Marinetti: The Variety Theatre (1913) R.
W. Flint
Bernard Shaw: Tolstoy: Tragedian or
Comedian? (1921)
Antonin Artaud: The Theater and Its Double (1938)
Mary Caroline Richards
Bertolt Brecht: The Modern Theatre is the
Epic Theatre (1930) Alienation Effects in
Chinese Acting (1935) John Willett
Augusto Boal: Theater of the Oppressed (1974)
Charles A.
Maria-Odilia Leal McBride
Wole Soyinka: Drama and the African
World-view (1976)
Vaclav Havel: Writing for the Stage (1986)
Paul Wilson
Bibliography
Acknowledgments
- - -
Tom Dale Keever
Columbia University
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