The Shakespeare Conference: SHK 12.1289 Thursday, 31 May 2001
[1] From: Richard Burt <
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Date: Wednesday, 30 May 2001 12:53:18 -0400
Subj: Re: SHK 12.1259 Re: Colorblindness
[2] From: Sean Lawrence <
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Date: Wednesday, 30 May 2001 10:00:46 -0700
Subj: Re: SHK 12.1259 Re: Colorblindness
[3] From: Pat Dolan <
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Date: Wednesday, 30 May 2001 12:12:29 -0500
Subj: Re: SHK 12.1259 Re: Colorblindness
[4] From: Evelyn Gajowski <
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Date: Wednesday, 30 May 2001 12:59:04 -0700 (PDT)
Subj: Re: SHK 12.1187 Re: Colorblindness
[5] From: Clifford Stetner <
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Date: Wednesday, 30 May 2001 18:20:07 -0400
Subj: Re: SHK 12.1187 Re: Colorblindness
[6] From: David Lindley <
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Date: Thursday, 31 May 2001 11:31:09 +0100
Subj: Re: SHK 12.1259 Re: Colorblindness
[1]-----------------------------------------------------------------
From: Richard Burt <
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Date: Wednesday, 30 May 2001 12:53:18 -0400
Subject: 12.1259 Re: Colorblindness
Comment: Re: SHK 12.1259 Re: Colorblindness
The collection Shakespeare and Race, ed. Alexander and Wells, (Cambridge
UP, 2000) may be of interest to those interested in the topic of
colorblind casting.
[2]-------------------------------------------------------------
From: Sean Lawrence <
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Date: Wednesday, 30 May 2001 10:00:46 -0700
Subject: 12.1259 Re: Colorblindness
Comment: Re: SHK 12.1259 Re: Colorblindness
Pat Dolan, in a message that contains a lot which I admire, suggests
that
>But, unless he hires only Anglo-Norman aristocrats who speak the
>dialects of English, Latin and French that the relevant "late medieval"
>characters than "race" (whatever socially constructed concept of race
>he's using) is more important to him in casting than class or language.
I suppose this brings up the question of translation, and hope I'm not
going too far off-topic. Does anyone know of a production of Richard
III in Anglo-Norman? I know that H5 was a bit of a hit in Montr
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