2002

The Shakespeare Conference: SHK 13.0393  Monday, 11 February 2002

[1]     From:   R. A. Cantrell <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Friday, 08 Feb 2002 09:31:03 -0600
        Subj:   Re: SHK 13.0378 Re: Dialogic Stage Directions

[2]     From:   W. L. Godshalk <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Friday, 08 Feb 2002 11:28:47 -0500
        Subj:   Re: SHK 13.0378 Re: Dialogic Stage Directions


[1]-----------------------------------------------------------------
From:           R. A. Cantrell <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Friday, 08 Feb 2002 09:31:03 -0600
Subject: 13.0378 Re: Dialogic Stage Directions
Comment:        Re: SHK 13.0378 Re: Dialogic Stage Directions

> ".the word 'meaning' is probably, in the whole language, the word the
> meaning of which is the most difficult to find.  What does 'to mean'
> mean? It seems to me

See E.D. Hirsch Jr. VALIDITY IN INTERPRETATION.

All the best,
R.A. Cantrell
<This email address is being protected from spambots. You need JavaScript enabled to view it.>

[2]-------------------------------------------------------------
From:           W. L. Godshalk <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Friday, 08 Feb 2002 11:28:47 -0500
Subject: 13.0378 Re: Dialogic Stage Directions
Comment:        Re: SHK 13.0378 Re: Dialogic Stage Directions

Richard Flatter's Shakespeare's Producing Hand (1948) discusses the
phenomenon of implied stage directions, but I can't find my copy of his
book, and I can't remember what term he uses. How's that for almost no
information at all?

Yours, Bill Godshalk

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