2002

The Shakespeare Conference: SHK 13.0033  Saturday, 12 January 2002

[1]     From:           Mike Jensen <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:           Saturday, 05 Jan 2002 16:00:10 -0800
        Sub:            Re: SHK 13.0028 Re: Postmodern Shakespearean Performance

[2]     From:           Pat Dolan <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:           Saturday, 05 Jan 2002 19:39:15 -0600
        Sub:            Re: SHK 13.0028 Re: Postmodern Shakespearean Performance

[3]     From:           David Evett <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:           Saturday, 5 Jan 2002 21:58:24 -0500
        Sub:            Re: SHK 13.0003 Re: Postmodern Shakespearean Performance

[4]     From:           David Evett <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:           Saturday, 5 Jan 2002 23:08:28 -0500
        Sub:            Re: SHK 13.0028 Re: Postmodern Shakespearean Performance

[5]     From:           Martin Steward <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:           Sunday, 6 Jan 2002 11:46:45 -0000
        Sub:            Re: SHK 13.0028 Re: Postmodern Shakespearean Performance


[1]-----------------------------------------------------------------
From:           Mike Jensen <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Saturday, 05 Jan 2002 16:00:10 -0800
Subject: 13.0028 Re: Postmodern Shakespearean Performance
Comment:        Re: SHK 13.0028 Re: Postmodern Shakespearean Performance

Mr. Weinstein takes the offensive, in more ways than one.

>1. Iago, even if thought to be gay, should not be played like Richard
>Simmons or Andy Dick.  It makes no sense.  Such an observation may upset
>certain listmembers, but that cannot be helped.

Had you first written that, most people would probably agree. You
didn't. You brought the actor's private life into it, and that changes
everything.

>I 

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