2002

The Shakespeare Conference: SHK 13.0612  Friday, 1 March 2002

[1]     From:   Martin Steward <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Thursday, 28 Feb 2002 17:20:32 -0000
        Subj:   Re: SHK 13.0588 Re: Shakespeare's The Tempest

[2]     From:   Robin Hamilton <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Thursday, 28 Feb 2002 18:21:23 -0000
        Subj:   Re: SHK 13.0588 Re: Shakespeare's The Tempest

[3]     From:   Janet OKeefe <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   28 Feb 2002 14:46:11 -0800
        Subj:   Re: SHK 13.0557 Re: Shakespeare's The Tempest

[4]     From:   Sophie Masson <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Friday, 1 Mar 2002 20:42:59 +1100
        Subj:   Re: SHK 13.0588 Re: Shakespeare's The Tempest


[1]-----------------------------------------------------------------
From:           Martin Steward <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Thursday, 28 Feb 2002 17:20:32 -0000
Subject: 13.0588 Re: Shakespeare's The Tempest
Comment:        Re: SHK 13.0588 Re: Shakespeare's The Tempest

Seija Sinikki outline's Walter Clyde Curry's version of The Tempest
thus:

"Theurgy, and Prospero as a theurgist, harmonizes the disordered
elements in the world. Black magic, on the contrary, disturbs the
sympathetic relations in the natural realm, causing disorder. Prospero
uses his powers to right the disorder in his universe and in the process
his soul is cleansed of its baser passions. His magic is a means to this
end. The purpose obtained, he can destroy his books."

Which brings us right back to the start of this thread, and the theatre
puff quoted by Prof. Lindley which reduced the play to sweetness and
light, faeries and goblins, and intolerably binarized notions of what
and who is good or evil...

m

[2]-------------------------------------------------------------
From:           Robin Hamilton <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Thursday, 28 Feb 2002 18:21:23 -0000
Subject: 13.0588 Re: Shakespeare's The Tempest
Comment:        Re: SHK 13.0588 Re: Shakespeare's The Tempest

From:           Seija Sinikki <This email address is being protected from spambots. You need JavaScript enabled to view it.>

>I would suggest that one important occult element in Prospero 

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