The Shakespeare Conference: SHK 13.1030 Monday, 15 April 2002
[1] From: Tom Dale Keever <
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Date: Friday, 12 Apr 2002 12:00:56 -0400 (EDT)
Subj: Re: SHK 13.1023 1981 Cressida
[2] From: David Evett <
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Date: Friday, 12 Apr 2002 15:05:29 -0400
Subj: Re: SHK 13.1023 1981 Cressida
[1]-----------------------------------------------------------------
From: Tom Dale Keever <
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Date: Friday, 12 Apr 2002 12:00:56 -0400 (EDT)
Subject: 13.1023 1981 Cressida
Comment: Re: SHK 13.1023 1981 Cressida
>The 1981 RSC _Troilus and Cressida_, directed by Terry Hands is very
>sparsely documented by reviews and production records. Carol Royle
>played Cressida, but seems to get only a passing mention from most
>critics. If anyone can remember anything about the presentation of
>Cressida in this production, particularly with regard to her entrance
>into the Greek camp, I would be most grateful.
>
>While I'm about it, when Ian Judge directed the production in 1996, it
>seemed to me when I saw it that Victoria Hamilton's Cressida responded
>to the kissing greeting of the Greek generals politely but coldly - as
>if trying to get out of the situation with the minimum fuss. I have
>read responses to the production that saw her as actively enjoying their
>advances. Any recollections, opinions or adjudications?
>
>In fact, why don't we go the whole hog? Any Cressidas entering any
>Greek camps - how did she take it?
>
>Anna.
Have a look at David Bevington's introduction to the Arden edition,
Third Series.
Also see the material David Kastan and I posted for Theater for a New
Audience last spring at:
http://www.tfana.org/2001/troilus/
The Chronology of past productions links to several other online
sources, though non-illustrate, the 1981 RSC staging.
http://www.tfana.org/2001/troilus/chron.htm
Tom Dale Keever
[2]-------------------------------------------------------------
From: David Evett <
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Date: Friday, 12 Apr 2002 15:05:29 -0400
Subject: 13.1023 1981 Cressida
Comment: Re: SHK 13.1023 1981 Cressida
When I directed *Tro* we had our small, young Cressida shoved, spun,
danced, and carried from one strong Greek warrior to another with
increasing dismay and fear; she ended up in tears, disheveled, looking
for her father and not finding him; the dialogue with Menelaus and
Ulysses that followed allowed her some time to recover her self-control,
and her relief when Diomedes displayed solicitude rather than contempt
was made clear.
David Evett
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