2004

The Shakespeare Conference: SHK 15.2104  Tuesday, 14 December 2004

[1]     From:   Stuart Manger <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Monday, 13 Dec 2004 18:15:37 -0000
        Subj:   Re: SHK 15.2092 Michael Maloney Hamlet

[2]     From:   Janet Costa <This email address is being protected from spambots. You need JavaScript enabled to view it.>
        Date:   Monday, 13 Dec 2004 14:34:27 -0800 (PST)
        Subj:   Re: SHK 15.2092 Michael Maloney Hamlet


[1]-----------------------------------------------------------------
From:           Stuart Manger <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Monday, 13 Dec 2004 18:15:37 -0000
Subject: 15.2092 Michael Maloney Hamlet
Comment:        Re: SHK 15.2092 Michael Maloney Hamlet

Got a very, very good review from Michael Billington, the doyen of
British theatre critics, but the production was less highly thought of.
Will be on Guardian Unlimited I imagine.

[2]-------------------------------------------------------------
From:           Janet Costa <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Monday, 13 Dec 2004 14:34:27 -0800 (PST)
Subject: 15.2092 Michael Maloney Hamlet
Comment:        Re: SHK 15.2092 Michael Maloney Hamlet

Mary McNally wrote: "Wondered if anyone else in the Nottingham area had
seen the recent
Michael Maloney Hamlet - absolutely amazing. What a great actor he is!"

I'll have to miss this one, but I did catch Maloney as Hamlet at the
Yorkshire playhouse in 1996. That production was amazing also,
especially in its intelligent handling of Ophelia's madness. When she
was seen for the first time, her appearance was perfect. As she
degenerated, her hair, makeup, and clothing evolved into total disarray.
Of special note were her stockings which were shredded by the time
Laertes returns.

Maloney's Hamlet was stuck in the third phase of grief and unable to
move on to acceptance. It was a dynamic performance with many shadings.
Great to watch and wonderful to remember.

Janet

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