The Shakespeare Conference: SHK 16.0254 Tuesday, 8 February 2005
[1] From: Arthur Lindley <
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Date: Monday, 7 Feb 2005 21:40:18 +0800
Subj: RE: SHK 16.0246 Antony and Cleopatra and The Sonnets?
[2] From: Frank Whigham <
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Date: Mon, 07 Feb 2005 11:05:05 -0600
Subj: Re: SHK 16.0246 Antony and Cleopatra and The Sonnets?
[1]-----------------------------------------------------------------
From: Arthur Lindley <
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Date: Monday, 7 Feb 2005 21:40:18 +0800
Subject: 16.0246 Antony and Cleopatra and The Sonnets?
Comment: RE: SHK 16.0246 Antony and Cleopatra and The Sonnets?
Imperiousness, willfulness, wit, the manipulation of an eroticised
image, the exertion of an anxiety-inducing feminine power in an
ostensibly masculine power structure. Elizabeth also liked to refer to
herself as a female king in ways that may be reflected in Cleo's
frequently assumed androgyny (wearing Antony's 'sword Philippan', going
to war with Caesar's armada). And both, of course, were
master/mistresses of political theatre. It's not particularly my case,
however. Don and others could consult the references in Richard
Madeleine's 'Plays in Performance' volume on A&C
(CUP, 1998, if I recall correctly). Personally, I'm more interested in
the economic context of the play.
Arthur
[2]-------------------------------------------------------------
From: Frank Whigham <
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Date: Mon, 07 Feb 2005 11:05:05 -0600
Subject: 16.0246 Antony and Cleopatra and The Sonnets?
Comment: Re: SHK 16.0246 Antony and Cleopatra and The Sonnets?
D Bloom <
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>Arthur Lindley writes, "Of course, there's also a (less romantic?)
>prevalent theory that Cleo is based on Eliz I."
>
>Aside from their being women and politically astute monarchs, what on
>earth to C and E have in common?
>
>Cheers,
>don
The version I know is that Shakespeare's A&C are some kind of comment on
Elizabeth and Essex. I recall reading someplace that Fulke Greville
wrote an A&C play and then destroyed it lest it be thought to be about E&E.
Frank Whigham
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