The Shakespeare Conference: SHK 17.0704 Monday, 31 July 2006
[1] From: Charles Weinstein <
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Date: Fri, 28 Jul 2006 18:30:19 -0400
Subj: Doubt
[2] From: Hardy M. Cook <
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Date: Monday, July 31, 2006
Subj: Re: Doubt
[1]-----------------------------------------------------------------
From: Charles Weinstein <
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Date: Fri, 28 Jul 2006 18:30:19 -0400
Subject: Doubt
Hardy Cook, echoing David Lindley, writes:
"But there is no doubt that Shakespeare wrote for boy (or male) actors,
and that this must have, to some degree, conditioned the way he composed
his female roles.
There is NO doubt."
No? I think that Shakespeare was uncompromising in the creation of his
characters, that he expected his actors to keep up with him, that he was
pleased when they could, and that he didn't change his writing one iota
when they couldn't. I also think that his female characters are most
emphatically NOT boys in dresses. So there.
--Charles Weinstein
[2]-------------------------------------------------------------
From: Hardy M. Cook <
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Date: Monday, July 31, 2006
Subject: Re: Doubt
Charles Weinstein writes of me, echoing David Lindley:
>>"But there is no doubt that Shakespeare wrote for boy (or male) actors,
>>and that this must have, to some degree, conditioned the way he
>>composed his female roles.
>>
>>There is NO doubt."
>
>No? I think that Shakespeare was uncompromising in the creation of
>his characters, that he expected his actors to keep up with him, that
>he was pleased when they could, and that he didn't change his writing
>one iota when they couldn't. I also think that his female characters
>are most emphatically NOT boys in dresses. So there.
I was trying to end a thread not begin another, yet I am compelled to
respond to Charles Weinstein before I end this for good.
Now, I don't know what "Shakespeare was uncompromising in the creation
of his characters" means. If it means that Shakespeare created
characters, male and female, that are so memorable that the plays in
which they appear are still performed and discussed four hundred years
after their creations, then we have no argument.
However, I have no idea what evidence Charles has for making these
assertions:
1. "he expected his actors to keep up with him,"
2. "he was pleased when they could, and"
3. "he didn't change his writing one iota when they couldn't."
Short of having a time machine or channeling Shakespeare, I cannot
understand how Charles can make these statements with such
uncompromising assurance.
Finally, Charles with emphasis maintains, "I also think that his female
characters are most emphatically NOT boys in dresses." I agree:
Shakespeare female characters are, just that, female characters, but the
reality is that Shakespeare's female characters were played by males,
who by every indication possessed varying degrees of accomplishment in
their performances so much so that eye witnesses to the plays referred
to the characters using female pronouns. I would add that the evidence
suggests that Shakespeare was an accomplished playwright who wrote for
the conditions under which his plays were performed, including the FACT
that his female characters were enacted by male actors.
Now, what is it that I wrote above that prompted Charles Weinstein's "So
there"?
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