The Shakespeare Conference: SHK 19.0085 Sunday, 10 February 2008
[1] From: Michael Egan <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 6 Feb 2008 12:20:20 -1000
Subj: Re: SHK 19.0075 Books to Buy
[2] From: Larry Weiss <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 06 Feb 2008 17:38:34 -0500
Subj: Re: SHK 19.0075 Books to Buy
[3] From: Joseph Egert <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 6 Feb 2008 14:44:08 -0800 (PST)
Subj: Re: SHK 19.0068 Books to Buy
[1]-----------------------------------------------------------------
From: Michael Egan <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 6 Feb 2008 12:20:20 -1000
Subject: 19.0075 Books to Buy
Comment: Re: SHK 19.0075 Books to Buy
I'm sorry that Gabriel is being tarred with my brush. We share a last
name, leftish opinions and an interest in Shakespeare, but that's it.
I am more sorry that Larry Weiss uses the dismissive word 'plumping' to
describe a seven-year, 2000-page study demonstrating in detail
Shakespeare's authorship of Richard II, Part One.
--Michael Egan
[2]-----------------------------------------------------------------
From: Larry Weiss <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 06 Feb 2008 17:38:34 -0500
Subject: 19.0075 Books to Buy
Comment: Re: SHK 19.0075 Books to Buy
>I know that, despite Larry's accurate legal description of the
>invalidity of assertions to copyright of images that are considered
>to be "in the public domain," libraries and archives and other
>"makers" like EEBO still insist on their right to charge permission
>fees for reproduction of the images, arguing that they purchased
>the equipment and expertise that enabled the images to be
>digitized, and therefore own the process, not the work per se.
There is, indeed, a world of difference between charging a royalty for a
work in the public domain and charging a fee for access to the work. The
latter isn't even governed by copyright law, but, rather, by ordinary
contract principles and (in some cases) the criminal law governing theft
of services or even trespass. For example, the law that lets me make a
copy of a First Folio does not allow me break into to Folger to make the
copy. A library, photographic stock house and others who collect public
domain images are perfectly free to charge for their services in
gathering, keeping, indexing and retrieving them. A library that charges
a fee for copies does nothing reprehensible in my opinion. After all, it
does have to pay for the copier, its maintenance, the paper it consumes,
the electricity it uses, the space it occupies and the labor of the
employee who takes time to make the copy.
[3]-----------------------------------------------------------------
From: Joseph Egert <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 6 Feb 2008 14:44:08 -0800 (PST)
Subject: 19.0068 Books to Buy
Comment: Re: SHK 19.0068 Books to Buy
Gabriel Egan declares:
>I don't feel morally bound to adhere to such irrational rules when
>copying materials for the general good of teaching and research,...
There is a larger issue at stake, however---namely Gab[riel]'s cheery
defense of piracy, which will appeal to the Oedipal rebel in all of us.
Such an antinomian thrust will, in a Burkean sense, further unmoor and
destabilize society, until Vincentio is forced to find his Angelo. The
ancient dilemma remains: should Socrates escape prison or drink the hemlock?
Gabriel again, still cutting his 'great road through the law to get
after the Devil':
>It is perfectly rational to defend piracy. I would go further: it is a
>social good to liberate knowledge by piracy.
But Gabriel, 'when the last law was down, and the Devil turned round on
you, where would you hide, the laws all being flat?...and if you cut
them down, do you really think you could stand upright in the winds that
would blow then?'
Joe Egert (and Robert Bolt)
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