2008

The Shakespeare Conference: SHK 19.0093  Thursday, 14 February 2008

[1] 	From:	Mark Bruce <This email address is being protected from spambots. You need JavaScript enabled to view it.>
	Date:	Monday, 11 Feb 2008 11:19:09 -0600
	Subj:	Re: SHK 19.0088 Standalone Pieces

[2] 	From:	Carol Morley <This email address is being protected from spambots. You need JavaScript enabled to view it.>
	Date:	Tuesday, 12 Feb 2008 16:37:33 +0000
	Subj:	RE: SHK 19.0088 Standalone Pieces


[1]-----------------------------------------------------------------
From:		Mark Bruce <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:		Monday, 11 Feb 2008 11:19:09 -0600
Subject: 19.0088 Standalone Pieces
Comment:	Re: SHK 19.0088 Standalone Pieces

Here's a suggestion: what about the scene in IV Henry I in which Hal and 
Falstaff play that "scene" in which they alternate playing the 
"characters" of Hal and his father? That seems quite "liftable," with a 
nicely satisfying final line. I think it's in 2.5.

Mark Bruce

[2]-----------------------------------------------------------------
From:		Carol Morley <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:		Tuesday, 12 Feb 2008 16:37:33 +0000
Subject: 19.0088 Standalone Pieces
Comment:	RE: SHK 19.0088 Standalone Pieces

For some reason (maybe poised to teach The Tempest for the next four 
weeks), the late plays some to mind. Pericles is so episodic you could 
take your pick: incestuous daughter episode perhaps? I once workshopped 
the 2 Shepherds + Autolycus scenes from TWT successfully at about that 
length. There's the Induction to Shrew, the pageant at the end of Love's 
Labours too.

Would it be a possibility to work on characterised stagings of sequences 
of sonnets as a lateral thinking approach or do you have to have named 
characters?

Carol

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