The Shakespeare Conference: SHK 20.0506 Wednesday, 14 October 2009
Date: Wednesday, 7 Oct 2009 13:40:10 -0700
Subject: Wriothesley Anagrams in the Sonnets?
I would be very interested to hear the opinions of other list members on
R. H. Winnick's new piece in _Literary Imagination_, on anagrams for
"Wriothesley" in the sonnets. Oxford has published this article ungated:
Winnick makes what strikes me as a very strong case for, and gives many
examples of, the widespread and quite explicit use and discussion of
such anagrams by poets in Shakespeare's day (including by S., obviously
including instances like Twelfth Night's "M.O.A.I."). I don't have the
breadth of knowledge to evaluate his survey, would love to hear thoughts
from those who do.
He also acknowledges the slipperiness of such examples -- how easy it is
to manufacture spurious anagrams, especially given the fast-and-loose
approach many poets took: fudging with extra, dropped, or repeated
letters, substituting i for j, f for s, a double U or a U and a V for W,
and etc. But still, on a first read through his piece, I find it
This also led me to look at one line from (surprise) Hamlet, an odd
comment by H. in the mousetrap that I've puzzled over. I notice that the
"po[e]sie of a ring" yields both "poisoner" and "poison ear" -- if you
drop a couple of letters.
Profound? Spurious? Curious?
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