The Shakespeare Conference: SHK 20.0489 Friday, 18 September 2009
From: Jean-Christophe MAYER <
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Date: Friday, 18 Sep 2009 15:55:53 +0200
Subject: Latest Issue of CAHIERS ELISABETHAINS Available
THE LATEST ISSUE OF CAHIERS ELISABETHAINS IS NOW AVAILABLE:
Cahiers Elisabethains 75, 2009
ARTICLES
Jose Maria Perez Fernandez, "From Virtue to Compulsion: Epic,
Translation and the Significance of Early Modern Blank Verse"
Joe Sterrett, "Here Our Prayer: Praying to Court and Society in
Late-Elizabethan England and Titus Andronicus"
Lorene M. Birden, "Performance Structures in As You Like It:
Configurations of Performer and Diegetic Audience as Guides to Character
and Overall Structure"
Teresa Yu-Wen Wei, "Polemical Tropes of Captivity in Philip Massinger's
The Renegado"
NOTES
Donna M. Murphy, "The Date and Co-Authorship of Doctor Faustus"
Rodney Stenning Edgecombe, "Elizabethan Words, Usages and Ante-Datings
Unrecorded in the OED, Culled From Strachey's Elizabeth and Essex"
REVIEW ARTICLES AND INTERVIEWS
Estelle Rivier, Oskaras KorSunovas at the Comedie-Francaise
Estelle Rivier, An Interview with Virginie Merlin, costume designer at
the Comedie-Francaise
Jozef De Vos, "The Sweep of History: Ivo van Hove's Roman Tragedies"
Janice Valls-Russell and Magali Abella, The Theatrum Gedanense
Foundation & Gdansk's Shakespeare Festival: An Interview with Jerzy Limon
PLAYS REVIEWS
As You Like It (dir. Tim Supple for Dash Arts and Leicester Theatre
Trust, Leicester) by Peter Kirwan
Dido, Queen of Carthage (dir. James MacDonald, London), by Peter J. Smith
The Duchess of Malfi (dir. David R. Gammons for The Actors' Shakespeare
Project, Boston, Massachusetts) by Kaara L. Peterson
Edward II (dir. Sean Graney for The Chicago Shakespeare Theater,
Chicago), by Anita M. Hagerman
Hamlet (dir. Claire Lasne-Darcueil, Lyon), by Clifford Armion
Le Roi Lear [King Lear] (dir. Jean-Claude Fall, Montpellier), by Gaelle
Ginestet
Love is My Sin. Sonnets de William Shakespeare (ad. and dir. Peter
Brook), Paris), by Ton Hoenselaars
Love's Labour's Lost (dir. Gregory Doran for the RSC, Stratford-upon-
Avon; dir. Sir Peter Hall for The Rose Theatre, Kingston-on-Thames), by
Clare Smout
Macbeth (dir. Barbara Gaines for The Chicago Shakespeare Theater,
Chicago), by Anita M. Hagerman
The Merchant of Venice (dir. Melia Bensussen for The Actors' Shakespeare
Project, Boston, Massachusetts) by Richard J. Larschan
A Midsummer Night's Dream (dir. Gregory Doran for the RSC, Stratford-
upon-Avon) by Kath Bradley
Othello (dir. Kathryn Hunter for the RSC on tour, Warwick Arts Centre)
by Lynne Hapgood
Richard II (dir. Michael Boyd for the RSC, Stratford-upon-Avon) by Kelly
N. O'Connor
Richard III (dir. Jean-Claude Fall, Montpellier), by Nathalie Crouau
Romeo and Juliet (dir. Neil Bartlett for the RSC, Stratford-upon-Avon)
by Peter Kirwan
The Tempest (dir. Janice Honeyman for the Baxter Theatre Centre,
Stratford-upon-Avon) by Peter J. Smith
Twelfth Night after William Shakespeare (in Japanese, Shochiku Grand
Kabuki, dir. Yukio Ninagawa, London) by Eleanor Collins
BOOK REVIEWS
Christopher Burlinson and Andrew Zurcher, eds, Edmund Spenser: Selected
Letters and Other Papers, by David Coleman
Roze Hentschell, The Culture of Cloth in Early Modern England. Textual
Constructions of a National Identity, by Agnes Lafont
David Hillman, Shakespeare's Entrails: Belief, Scepticism and the
Interior of the Body, by Caroline Lamb
J. B. Lethbridge, ed., Shakespeare and Spenser: Attractive Opposites, by
Joan Fitzpatrick
NOTES ON THE FOLLOWING BOOKS (by Janice Valls-Russell; these do not
preclude full-length reviews in a later issue)
Gillian Austen, George Gascoigne
Paola Baseotto, "Disdeining life, desiring leave to die": Spenser and
the Psychology of Despair
Christian M. Billing, Masculinity, Corporality and the English Stage
1580-1635
Pascale Drouet and Pierre Iselin, eds, "The true blank of thine eye":
Approches critiques de King Lear
Richard Fotheringham, Christa Jansohn and R. S. White, eds,
Shakespeare's World/World Shakespeares. The Selected Proceedings of the
International Shakespeare Association World Congress, Brisbane 2006
Edith Garnier, L'Alliance impie: Francois Ier et Soliman le Magnifique
contre Charles Quint, 1529-1547
Indira Ghose, Shakespeare and Laughter: A Cultural History
Ros King and Paul J. C. M. Franssen, eds, Shakespeare and War
Clare Lapraik Guest, ed., Rhetoric, Theatre and the Arts of Design:
Essays presented to Roy Eriksen
Francois Laroque and Pierre Iselin, with Josee Nuyts-Giornal, King Lear,
l'ouvre au noir
Lesley Lawson, Out of the Shadows: The Life of Lucy, Countess of Bedford
Stewart Mottram, Empire and Nation in Early English Renaissance Literature
Sara Munson Deats and Robert A. Logan, eds, Placing the Plays of
Christopher Marlowe: Fresh Cultural Contexts
Peter G. Platt, Shakespeare and the Culture of Paradox
Thomas Rist, Revenge Tragedy and the Drama of Commemoration in Reforming
England
Terence G. Schoone-Jongen, Shakespeare's Companies: William
Shakespeare's Early Career and the Acting Companies, 1577-1594
Stuart Sillars, The Illustrated Shakespeare 1709-1875
Ceri Sullivan, The Rhetoric of the Conscience in Donne, Herbert, and Vaughan
Jonathan Walker and Paul D. Streufert, eds, Early Modern Academic Drama
To order:
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