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|Metrical Skepticism: Paglia on Pentameter|
The Shakespeare Conference: SHK 24.0286 Monday, 10 June 2013
Date: June 8, 2013 7:26:26 PM EDT
Subject: Re: Metrical Skepticism: Paglia on Pentameter
Charles Weinstein long ago admitted in this forum to an inability to hear the subtle rhythms of Shakespeare’s pentameter (“You can’t hear it; it doesn’t exist; not even as a submerged or ghostly undertone that the audience supposedly registers viscerally”, http://shaksper.net/archive/2000/168-december/11850-re-iambic-pentameter), but I don’t—at least on the evidence he quotes—see it as quite fair to attribute the same disability (a little like being tone-deaf at the opera) to Camille Paglia. “Jagged and syncopated” describes Shakespeare’s mature pentameter rather well, but music that is syncopated doesn’t cease to be music: it merely requires a little more sophistication from its listeners.