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EMLS 12.2
The Shakespeare Conference: SHK 17.1073  Tuesday, 5 December 2006

From:         Sean Lawrence <
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 >
Date:         Monday, 04 Dec 2006 20:34:06 -0800
Subject:     EMLS 12.2

The latest issue of Early Modern Literary Studies (12.2) is now 
available online at http://purl.org/emls/emlshome.html

The table of contents follows, below.  EMLS invites contributions of 
critical essays on literary topics and of interdisciplinary studies 
which centre on literature and literary culture in English during the 
sixteenth and seventeenth centuries. Contributions, including critical 
essays and studies (which should be accompanied by a 250 word abstract), 
bibliographies, notices, letters, and other materials, may be submitted 
to the Editor by email at 
 This e-mail address is being protected from spambots. You need JavaScript enabled to view it
  or by regular mail to Dr 
Matthew Steggle, Early Modern Literary Studies, School of Cultural 
Studies, Sheffield Hallam University, Collegiate Crescent Campus, 
Sheffield, S10 2BP, U.K.

As of last month, the main site of EMLS has moved from 
http://www.shu.ac.uk/emls to http://extra.shu.ac.uk/emls. This doesn't 
affect the official addresses of items in the journal, which still all 
start http://purl.org/emls; nor does it adversely affect existing 
citations or hotlinks which begin http:/ www.shu.ac.uk/emls, since all 
such links redirect seamlessly to the new site; nor does it affect any 
of the journal's numerous mirrors, archives, and syndicated versions 
such as those captured by LOCKSS (www.lockss.org). In taking seriously 
the long-term preservation of its data, EMLS is and intends to remain at 
the forefront of open-access humanities ejournals.

Articles:

The Prince of Rays: Spectacular Invisibility in Spenser's The Faerie 
Queene.  Lisa Dickson, University of North British Columbia.

"Headdie Ryots" as Reformations: Marlowe's Libertine Poetics. Helga 
Duncan, Stonehill College.

Beggary/Buggery and Oedipal Conflict in Thomas Middleton's The Phoenix.  
Patrick J. Cook, George Washington University.

The Banality of History in Troilus and Cressida. Andrew Griffin, 
McMaster University.

Marketing Luxury at the New Exchange: Jonson's Entertainment at 
Britain's Burse and the Rhetoric of Wonder. Alison Scott, Macquarie 
University.

Signifying Nothing? A Secondary Analysis of the Claremont Authorship 
Debates. Gray Scott, University of California, Riverside.

'My Souls Anatomiste': Richard Baxter, Katherine Gell and Letters of the 
Heart. Alison Searle, Queen Mary, University of London.

Reviews:

Douglas A. Brooks, ed. Printing and Parenting in Early Modern England. 
Aldershot: Ashgate, 2005. Alison Searle, Queen Mary, University of London.

Arielle Saiber. Giordano Bruno and the Geometry of Language. Aldershot: 
Ashgate, 2005. Matthew C. Hansen, Boise State University.

Stephen B. Dobranski. Readers and Authorship in Early Modern England. 
Cambridge: Cambridge UP, 2005. Katrin Ettenhuber, Christ's College, 
Cambridge.

Verna A. Foster.  The Name and Nature of Tragicomedy. Aldershot: 
Ashgate, 2004. Lucy Munro, Keele University.

William M. Hamlin. Tragedy and Scepticism in Shakespeare's England. 
Early Modern Literature in History Basingstoke: Palgrave Macmillan, 
2005. Dermot Cavanagh, University of Edinburgh.

Gerard Kilroy. Edmund Campion: Memory and Transcription. Aldershot: 
Ashgate, 2005. Jason Scott-Warren, University of Cambridge.

Arthur F. Marotti. Religious Ideology and Cultural Fantasy: Catholic and 
Anti-Catholic Discourses in Early Modern England Notre Dame, Indiana: U 
of Notre Dame P, 2005. Alison Shell, University of Durham.

Charles Martindale and A.B. Taylor, eds. Shakespeare and the Classics. 
Cambridge: Cambridge UP, 2004. Nicholas Moschovakis, Reed College.

Paola Pugliatti. Beggary and Theatre in Early Modern England. Aldershot, 
Hants: Ashgate, 2003. Richard Dutton and Jean E. Howard, eds. A 
Companion to Shakespeare's Works: Volume 1, the Tragedies. Oxford: 
Blackwell, 2003. Chris Fitter, Rutgers University at Camden.

Richard Wilson. Secret Shakespeare: studies in theatre, religion and 
resistance. Manchester: Manchester University Press, 2004. James 
Ellison, University of Dundee.
Reviewing Information and Books Received for Review.

Theatre reviews:

Review of Cambridge Shakespeare, Summer 2006. Reviewed by Michael 
Grosvenor Myer.

The Course of True Love. Reviewed by Annaliese Connolly, Sheffield 
Hallam University.

Hamlet, presented at the Guthrie Theater, Minneapolis, Minnesota, 4 
March - 7 May 2006. M. G. Aune, North Dakota State University, and Seth 
Archer, North Dakota State University.

_______________________________________________________________
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