The Shakespeare Conference: SHK 25.437 Wednesday, 12 November 2014
From: Hardy M. Cook <
Date: Wednesday, November 12, 2014
Subject: Early Theatre: 17.1 (2014)
[Editor’s Note: I have in my notes that I had an announce for Early Theatre but I cannot locate it, so I have gone to the website to retrieve it. Apologies, Helen. –Hardy]
Early Theatre: 17.1 (2014)
Table of Contents
Helen M. Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson
The Twelfth-Century Story of Daniel for Performance by Hilarius: An Introduction, Translation, and Commentary
Stephen K. Wright
A New Context for the Manuscript of Wit and Science
John a Kent, the Wise Man of Westchester
Douglas H. Arrell
'Bogus History' and Robert Greene’s Friar Bacon and Friar Bungay
David M. Bergeron
‘The cunning of their ground’: The Relevance of Sejanus to Renaissance Tragedy
Sound, Vision, and Representation: Pageantry in 1610 Chester
Situating Ben Jonson: The Cambridge Edition of the Works
New Directions in Jonson Scholarship
Jessica Dell, David Klausner, and Helen Ostovich (eds).
The Chester Cycle in Context, 1555-1575: Religion, Drama, and the Impact of Change.. Farnham, Surrey: Ashgate, 2012. Pp ix, 230.
Christopher Marlow. Performing Masculinity in English University Drama, 1598-1636. Farnham, Surrey: Ashgate, 2013. Pp 186.
Verena Theile and Andrew D. McCarthy, eds. Staging the Superstitions of Early Modern Europe. Burlington, VT: Ashgate, 2013. Pp. xxiii, 284.
Barbara H. Traister
Julian Bowsher. Shakespeare’s London Theatreland: Archaeology, History, and Drama. London: Museum of London Archaeology, 2012. Anthony Mackinder with Lyn Blackmore, Julian Bowsher and Christopher Phillpotts. The Hope Playhouse, Animal Baiting and Later Industrial Activity at Bear Gardens on Bankside: Excavations at Riverside House and New Globe Walk, Southwark, 1999-2000. London: Museum of London Archaeology, 2013. Pp. xiii, 92.
Lukas Erne. Shakespeare and the Book Trade. Cambridge: Cambridge University Press, 2013. Pp 302. Lukas Erne. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: Cambridge University Press, 2013. Pp 323.
Lynn S. Meskill. Ben Jonson and Envy. Cambridge: Cambridge University Press, 2009. Pp 229.
David Nicol. Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse. Toronto: University of Toronto Press, 2012. Pp. xii, 216.
Heather A. Hirschfeld
Mark Bayer. Theatre, Community, and Civic Engagement in Jacobean London. Iowa City: University of Iowa Press, 2011. Pp xii, 258.
Deborah Uman and Sara Morrison (eds). Staging the Blazon in Early Modern English Theatre. Farnham, Surrey: Ashgate, 2013. Pp 220.
Gilles Monsarrat, Brian Vickers and R. J. C. Watt (eds). The Collected Works of John Ford, Vol. 1. Oxford: Oxford University Press, 2011. Pp xxiv, 720.
Patrick J. Murray