The Shakespeare Conference: SHK 29.0173 Friday, 13 April 2018
Date: April 11, 2018 at 12:55:11 PM EDT
Subject: Cantatas of Thomas Arne QUEENS CONSORT April 26-28
THE QUEENS CONSORT is a professional early music instrument ensemble, arguably the first such ensemble based in the borough of Queens. Currently in its third season, the Consort performs a wide variety of repertoire spanning many countries and time periods.
Gotham Early Music Scene, Inc. (GEMS), the service and advocacy organization for early music in New York, is forwarding the following listing information to Shaksper on behalf of THE QUEENS CONSORT. We thank you for your attention!
FOR IMMEDIATE RELEASE
April 11, 2018
THE ARNE PROJECT
Premiers of rare cantatas by Thomas Arne
The Queens Consort presents “The Arne Project,” performing North American and New York City premieres of rare cantatas by 18th-century English composer Thomas Arne.
Arne is best known for his musical settings of songs in Shakespeare’s plays and the patriotic songs “Rule Britannia” and “God Save the King.” The Consort is presenting three shows in Manhattan and Queens, which will feature guest lecturer and noted Arne scholar, Dr. Paul Rice, Professor of Musicology at Memorial University of Newfoundland, and soprano Brittany Palmer.
Lovers found, lovers scorned, potential lovers encouraged… such are the concerns of the solo cantatas. The range of human emotions in these works is large and remains as relevant today as when Arne composed them in the 18th century. From fiery outbursts to melting love songs, his settings wrap these very human concerns in music that is as moving as it is elegant.
All three concerts are one hour without intermission. A free post-concert reception follows concerts #2 and #3.
Date: Thursday, April 26, 2018
Time: 1:15 PM
Location: Chapel of St. Bart’s Church
325 Park Avenue
Neighborhood: Midtown East
Cross Street: 50th Street
Subway/Bus: #6, E, or M subway on Lexington Avenue
M1, M2, M3, M4, M101, M102, M103, M50 buses
Tickets: Free admission. Suggested free-will donation $10
Date: Friday, April 27, 2018
Time: 7 p.m.
Location: Third Street Music School
235 East 11th Street
Neighborhood: Lower East Side
Cross Street: 2nd Avenue
Subway/Bus: L train to 3rd Avenue
M16 (SBS) or M8 bus
Tickets: Free admission.
Date: Saturday, April 28, 2018
Time: 7 p.m.
Location: St. Mark’s Church
33-50 82nd Street
Jackson Heights, NY
Neighborhood: Jackson Heights, Queens
Cross Street: 34th Avenue
Subway/Bus: F/E/R/M subway lines to Roosevelt stop in Jackson Heights, or the #7 to 82nd Street/Jackson Heights
Tickets: $20 (students & seniors $10)
Tickets available at the door
About Brittany Palmer, soprano soloist
Soprano, Brittany Palmer, resides in New York City where she performs as a soloist, choral soprano, and chamber music collaborator. Trained at Florida State University and the Eastman School of Music, her performing career has included solo performances with Opera North, Rochester Philharmonic Orchestra, Western New York Chamber Orchestra, Company XIV, Columbia Collegium, Opera Gaya, University of North Florida, and the Trinity Church at Wall Street, among others. Some of her favorite performances include Susanna (Le Nozze di Figaro), La Comtesse Adèle (Le Comte Ory), Ariane (Ariane – Martinů), Drusilla (L’Incoronazione di Poppea), Blondie (The Abduction of Figaro), Adina (L’Elisir D’Amore), as well as the soprano solos for the St. Matthew Passion, Carmina Burana, the Fauré Requiem, and Haydn’s Lord Nelson Mass.
Ms. Palmer was praised in the Washington Post for her performance in Noli Me Tangere at the Kennedy Center and has received accolades from other reputable publications such as The New York Times and The Wall Street Journal for her perfomances in New York City. She is a member of the internationally acclaimed ensemble, SIREN Baroque, and a member of the St. James Compostela Choir in New York City. Ms. Palmer also performs and lectures regularly with Taucks River Cruise's "Musical Magic Along the Blue Danube" which tours from Budapest to Prague.
About the artists of THE QUEENS CONSORT:
Claire Smith Bermingham, Co-Founder and Baroque Violin received her M.Mus. in violin performance at Boston Conservatory studying under David Kim and currently studies baroque violin with Judson Griffin. She has also taken baroque master classes with Rachel Podger, Marc Destrube, Julie Andrijeski, Marilyn McDonald and Cynthia Roberts. She has performed baroque violin with American Classical Orchestra, Siren Baroque, Trinity Baroque Orchestra, Biber Baroque, La Fiocco, Dorian Baroque, Vilas Baroque, Big Apple Baroque, Vox Ama Deus, VOICES, The Yale Schola Cantorum and with Ensemble Leonarda, and on modern violin with Astoria Symphony, Sinfonia Celestis, Greenwich Symphony, Northeastern Pennsylvania Philharmonic, Di Capo Opera, Bronx Opera, Staten Island Philharmonic, Connecticut Grand Opera, and on Broadway. Her chamber work includes Chamber 16 and the Cerulean String Quartet. Claire has performed with Sean “Puffy” Combs and “Father John Misty” on “Saturday Night Live,” “David Letterman,” and “The View,” and in concerts with “Mana.” She is violinist for Ritchie Blackmore’s band, “Blackmore’s Night.” Recordings on Shakira’s album, “She Wolf,” and on Blackmore’s Night’s “Dancer and the Moon,” “Winter Carols,” “All Our Yesterdays,” and on Candice Night’s “Starlight, Starbright.” She has performed overseas with Blackmore’s Night in Germany, Russia, Ukraine, England, Scotland, Luxembourg, France, the Czech Republic and Holland, and on American tours.
Margrét Hjaltested, Co-Founder and Baroque Viola, enjoys a diverse career as a performer and teacher. Born in Reykjavík, Iceland, she is currently based in New York City. Margrét has played with orchestras such as the New Jersey Symphony, the American Composers Orchestra and the Albany Symphony. As a baroque violist, she has performed with The American Classical Orchestra, Concert Royal and Bach Vespers at Holy Trinity. Margrét has toured internationally with the New York Symphonic Ensemble on its annual tour of the Far East, the Icelandic Symphony Orchestra, Luciano Pavarotti´s International Farewell Tour and the award-winning Icelandic pop artist Björk. She is a member of the chamber ensemble Tre Colore and Chamber16. Margrét is on the faculty of Queens College, SummerKeys in Lubec, Maine and maintains a private violin/viola studio for adults in Queens, New York. She is a graduate of the Juilliard School and the Mannes College of Music. Her principal teachers were Karen Tuttle, Karen Ritscher, Joey Corpus and for historical performance, Nancy Wilson. Margrét has received the American Scandinavian Society´s Cultural Award for her musical contributions to the Scandinavian communities of New York and New Jersey.
Dan McCarthy, Baroque Violin, has been described as a “virtuosic” player by Seen and Heard International. He was a part of the first class of baroque violists ever to be accepted into the historical performance program at The Juilliard School, where he was also often featured performing on baroque violin, viola d’amore, and viola da gamba. Currently, Dan enjoys a varied career that has taken him from Myanmar to the United Kingdom and all points in between. he has served as section violist with the Trinity Baroque Orchestra, concertmaster of the Austin Baroque Orchestra, and tenor gambist with Parthenia. He has also performed and toured extensively throughout North America, East Asia, and Europe with Jordi Savall, Masaaki Suzuki, Orchestra of the Age of Enlightenment, Tafelmusik Baroque Orchestra, and the American Bach Soloists. Here on the east coast he has played with Brooklyn Baroque, Big Apple Baroque, Yale Schola Cantorum, Dorian Baroque Ensemble, and New Vintage Baroque. Dan is currently engaged with the New York Classical Quartet, Bach Vespers at Holy Trinity, La Fiocco, and Queens Consort. Dan is also on faculty at the Atlantic Music Festival in Maine during his summers. Dan holds a D.M.A. and M.M. from the University of Maryland, a B.M. From the University of Michigan, and is an alumnus of the Interlochen Arts Academy.
Aya Hamada, Harpsichord, has been praised for her “graceful” (The New York Times) performance. Aya is an active recitalist, concerto soloist and continuo player. Currently she plays principal harpsichord for ProMusica Chamber Orchestra of Columbus and serves as organist at the L’Église Française du Saint Esprit. She has given numerous recitals in major venues throughout Japan as well as the US, Canada, Mexico, Argentina, Brazil, Belgium, England, France, Spain and Italy, including a recital at the Peñíscola International Festival of Medieval and Baroque Music, and at the International Conference of the Historical Keyboard Society of North America (Montreal). She has made over three dozen appearances as concerto soloist on four continents. She has performed with Orpheus Chamber Orchestra, American Symphony Orchestra, Berkshire Opera Company, Kansai Philharmonic Orchestra (Japan), Sinfonietta Cracovia (Poland), Juilliard 415, Juilliard Symphony, appearing under conductors such as Jordi Savall, Nicolas McGegan, Harry Bicket and Masaaki Suzuki. The New York Times proclaimed “Ms. Hamada gave a deft account of Handel’s Concerto” about her performance with conductor William Christie in Alice Tully Hall at Lincoln Center. She “defined the torrent of notes beautifully for the ear, while never sacrificing virtuosity; her illuminating playing drew well-deserved cheers” (The Columbus Dispatch). Others have praised her “flawless technique” (The Boston Globe), and “superb command of the harpsichord” (The Springfield Republican). She premiered “Virginal” by Harold Meltzer with the New Juilliard Ensemble in 2010. Her debut album “Jacques Duphly: Pièces de clavecin” was released in April 2015, and was chosen as “Recording of the Month” in the MusicWeb International (July 2015) and the Record Geijutsu Magazine (June 2015). Aya Hamada won first prize in the London Music Festival Competition and second prize in the Josef Hofmann Piano Competition, and earned her master of music degree in the inaugural class of Historical Performance from the Juilliard School. She studied under Kenneth Weiss in New York and Skip Sempé in Paris, and has received additional coaching from Pierre Hantaï and Christophe Rousset. She resides in New York City.
Anneke Schaul-Yoder, Baroque Cello, performs regularly at New York’s foremost venues in both modern and period styles. She is solo continuo cellist and artistic director for SIREN Baroque, the internationally acclaimed all-female early music ensemble. Anneke is also a member of the Piano Music & Song Trio, a trumpet/cello/piano trio that improvises over art songs, and Skid Rococo, a group with soprano and lute that performs derelict and touching songs of the 18th century. With pianist Derin Öge, Anneke presents eclectic chamber music for cello and piano. She also performs as solo cellist with the Morningside Opera Company, BalletNext, the Argento Chamber Ensemble, and other ensembles. A devoted educator, Anneke has maintained a private cello studio since 2003, is on the faculty at the Platte Clove School in New York, and organizes music outreach programs for other schools and libraries. Anneke has recordings on the Bridge, System Dialing, and Naxos labels, and records and collaborates with members of Arcade Fire, TV on the Radio, Antibalas, and the Sway Machinery. Throughout 2013, Anneke presented all of Benjamin Britten’s string quartets at Lincoln Center. In 2012, she was a featured guest on A Prairie Home Companion, and in 2013 she appeared on Lincoln Center’s “American Songbook” series, televised on PBS. In 2009, Anneke was granted a fellowship for a four-month intensive study of Bach and Britten solo suites at the Banff Centre.
For further information or to set up an interview:
CONTACT: Margrét Hjaltested, TEL: 347-742-7235