Shakespeare Electronic Conference, Vol. 4, No. 223. Tuesday, 6 April 1993.
(1) From: Rick Jones <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Tuesday, 6 Apr 1993 12:02:08 -0500 (CDT)
Subj: RE: SHK 4.0218 Re: *The Actor's Voice*
(2) From: David Pacheco Glover <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Tuesday, 6 Apr 93 12:59:00 -0500
Subj: Re: SHK 4.0218 Re: *The Actor's Voice*
(1)----------------------------------------------------------------------------
From: Rick Jones <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Tuesday, 6 Apr 1993 12:02:08 -0500 (CDT)
Subject: 4.0218 Re: *The Actor's Voice*
Comment: RE: SHK 4.0218 Re: *The Actor's Voice*
Cicely Berry's books have indeed crossed the Atlantic. In addition to
_The Actor's Voice_, I heartily recommend _The Actor and the Text_,
which I have used with great success in Acting II courses. Not only
is the approach intelligent, it's also presented intelligibly and
unpretentiously: almost unheard of for an acting text, especially one
which concentrates so much on Shakespeare.
-- Rick Jones
(2)----------------------------------------------------------------------------
From: David Pacheco Glover <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Tuesday, 6 Apr 93 12:59:00 -0500
Subject: 4.0218 Re: *The Actor's Voice*
Comment: Re: SHK 4.0218 Re: *The Actor's Voice*
> I hope [Cicely Berry's] books have crossed the Atlantic.
They most certainly have! We have used them in our undergrad
program here at Macalester, in St. Paul, Minnesota. Specifically in
the "Voice Training for the Actor" course, which was (unfortunately)
only a special topics course.
Strong recommendations from this actor for her methods...
--
David Pacheco Glover Everything is virtual. Except you.