The Shakespeare Conference: SHK 11.2181  Tuesday, 28 November 2000

From:           Hardy M. Cook <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date:           Tuesday, November 28, 2000
Subject:        Shakespeare Spoof

Dear SHAKSPEReans:

The following was contributed by a new member to the conference Gary
Sloan. Gary writes commentary for a large news service. The piece was
rejected on these grounds as cited by the chief editor: "Gary, I'm not
going to use this piece.  Trust me, newspaper readers won't get it.
They will think it's factual.  They'll be calling editors to get more
information about the find."

"Shakespeare Tries to Get It Right"

Shakespeare has long been hailed an inspired genius, a gifted soul for
whom writing was as easy as breathing.  His theatrical colleagues
boasted he never blotted a line.  Mellifluous words poured from his pen
as nectar from an Olympian chalice.

Now, from Stratford-on-Avon, comes news sure to set the literati on
their collective ear.  A remarkable find is here reported for the first

Flourish of trumpets, please.  Or, if you prefer, strumpets.

Three pages from an autograph manuscript of Hamlet were found wadded in
a tankard near the former site of a Stratford tavern.   Never before had
any 'foul papers,' as scholars call the original drafts of the Bard's
plays, been found.  This foul is fair.

Here is a descriptio externa of the pages.

They contain ninety-five lines of text.  Every line, except the last,
has been struck out, as have words scrawled between the lines
(interlineations) and in the margins.  The third page has a large
star-burst splatter, as if ink were slung at it.   Each page has been
ripped vertically from the top center almost to the bottom.  Under
laboratory analysis, two of the pages reveal trace chemicals associated
with human saliva, as though someone spit on them.

The final line, the unblotted one, is in a hand different from the rest.

The ninety-four deleted lines appear to be permutations of the idea
expressed in the final line, now famous.  Clearly, Shakespeare labored
hard to be Shakespearean.

His indefatigable revisions give teeth to a comment by Edgar Allan Poe.
Most writers, he said, 'would positively shudder at letting the public
take a look behind the scenes at the elaborate and vacillating crudities
of thought, cautious selections and rejections, painful erasures and
interpolations' that precede the final product.

Before the discovery of the Tankard Papers, the highest level of genius
-- Shakespeare, Homer, Dante, Milton, and the like -- was thought exempt
from the sublunary indecisiveness and tinkering described by Poe.

Now we have reason to believe Thomas Edison's maxim admits no
exceptions:  Genius is one percent inspiration and ninety-nine percent

What a boost the Tankard Papers give to writers everywhere!  Heretofore,
thousands have been balked by the myth that great writers are born, not
made.  Too often, when words fail to come trippingly off their tongues,
novices abandon their literary dreams, assuming you've either got it or
you haven't.

Now they will know the only barrier between them and Shakespeare is
pertinacity, pertinacity, and more pertinacity.  They will know, too,
that cursing, wadding, ripping, and spitting on paper is okay.

Observe the Bard at work.  Watch him discard line after line as he, or
Hamlet, searches for the mot juste, the perfect words:

'Life virtue indeed hath, but so doth death.'

'Should a noble man, then, do himself in''

'Doth a prince ignobly himself do in''

'Be it base to bare-bodkin your own self''

'Should I on my own petard myself hoist''

'Self-slaughter or self-preservation: which''

Here is the penultimate revision, number 94:

'To live or to die: now that's a tough one.'

Then, eureka, pertinacity reaps its reward:  'To be or not to be:  that
is the question.'

Scholars note the handwriting in line 95 matches Anne Hathaway's.  Some
indulge a wild fantasy'namely, that Mrs. Shakespeare ghostwrote her
husband's plays.

Such speculation, in my judgment, is irresponsible, unethical, and
perverse.  Undoubtedly, Hathaway was simply an amanuensis, a helpmate,
writing down her husband's hard-earned words.

Pertinacity, I say: that is the way.

This is my twenty-seventh draft.  My wife merely . . . tied up a few
loose ends.

The End

Gary Sloan,
305 E. Colorado Ave.,
Ruston, LA  71270
This email address is being protected from spambots. You need JavaScript enabled to view it.

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