The Shakespeare Conference: SHK 14.042 Wednesday, 8 January 2003
[1] From: John W. Kennedy <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Tuesday, 07 Jan 2003 09:12:49 -0500
Subj: Re: SHK 14.033 Re: Anyone Know Yiddish?
[2] From: Max Gutmann <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Tuesday, 7 Jan 2003 18:21:32 +0100
Subj: Re: SHK 14.033 Re: Anyone Know Yiddish?
[1]-----------------------------------------------------------------
From: John W. Kennedy <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Tuesday, 07 Jan 2003 09:12:49 -0500
Subject: 14.033 Re: Anyone Know Yiddish?
Comment: Re: SHK 14.033 Re: Anyone Know Yiddish?
Michael A. Morrison <This email address is being protected from spambots. You need JavaScript enabled to view it.> writes,
>The Jewish King Lear of 1892 was a sensation.
Note that "The Jewish King Lear" is no more Shakespeare than "Mourning
Becomes Electra" is Sophocles.
[2]-------------------------------------------------------------
From: Max Gutmann <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Tuesday, 7 Jan 2003 18:21:32 +0100
Subject: 14.033 Re: Anyone Know Yiddish?
Comment: Re: SHK 14.033 Re: Anyone Know Yiddish?
>Obviously, whoever adapted the play would have cast Shylock in a
>favorable light -- compatible to the expectations of a Jewish audience.
Such adaptations may have been done, but there's nothing obvious about a
Jewish audience wanting to like Shylock. Modern viewers/readers who find
the play anti-Semitic don't object to the unfavorable depiction of
Shylock, but of his Jewishness. Any intelligent audience sees good
reasons not to like Shylock; an adaptation for a Jewish audience
probably wouldn't make his religion one of them.
Max Gutmann
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