The Shakespeare Conference: SHK 19.0031 Thursday, 17 January 2008
[1] From: Jeremy Fiebig <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 16 Jan 2008 09:10:42 -0600
Subj: RE: SHK 19.0019 Malvolio and the Captain
[2] From: Steve Sohmer <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 16 Jan 2008 14:57:40 EST
Subj: Re: SHK 19.0019 Malvolio and the Captain
[3] From: Donald Bloom <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Thursday, 17 Jan 2008 09:00:54 -0600
Subj: RE: SHK 19.0019 Malvolio and the Captain
[1]-----------------------------------------------------------------
From: Jeremy Fiebig <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 16 Jan 2008 09:10:42 -0600
Subject: 19.0019 Malvolio and the Captain
Comment: RE: SHK 19.0019 Malvolio and the Captain
I recently employed the doubling of the Captain and Malvolio in a
production of Twelfth Night at my college. I wonder if the "joke" for
Globe patrons might have been the doubling itself: the captain cannot
come because the actor playing him is preoccupied with playing Malvolio.
[2]-----------------------------------------------------------------
From: Steve Sohmer <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Wednesday, 16 Jan 2008 14:57:40 EST
Subject: 19.0019 Malvolio and the Captain
Comment: Re: SHK 19.0019 Malvolio and the Captain
Dear Friends,
St. Paul wrote to the Illyrians twice and visited them three times ...
because the idolatrous Corinthians were having difficulty adapting to
his brand of Christianity. Let me enumerate some of the problems Paul
addressed. Apparently, these were still rampant in Shakespeare's
Illyria. There were divisions and factionalism between households (1 Cor
1:11)-and within households. Stewards were on the verge of becoming
unfaithful (4:1-2). Servants were seized with ambition (7:20) and
bridling at their low station (7:21). There was fornication (5:1)-and
raillery and drunkenness (10:21, 11:21). Unmarried Corinthian women were
refusing to marry (8:28ff). The men had become haughty; to use Paul's
phrase, "puffed up" (4:18)-that's Malvolio's condition-as Fabian
observes, "see how imagination blows him" (2.5.40-1). Some Corinthians
were speaking in strange and undecipherable tongues (14)-as do Feste,
Toby, and Andrew. Caritas was in decline, and the collecting of alms had
lapsed (16). Paul also reprimanded the Illyrians for bringing lawsuits
against each other in pagan courts (6:1-6). Doesn't this explain
Shakespeare's sudden and inexplicable allusion to Malvolio's lawsuit
against Viola's loyal captain?
Hope this helps,
Steve
[3]-----------------------------------------------------------------
From: Donald Bloom <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Thursday, 17 Jan 2008 09:00:54 -0600
Subject: 19.0019 Malvolio and the Captain
Comment: RE: SHK 19.0019 Malvolio and the Captain
Cary Barney writes:
>I recently directed "Twelfth Night" for my university and we grappled
>with the mysterious fifth act revelation that the Captain is being held
>under arrest at Malvolio's instigation. Rather than have it come out of
>the blue, we took the liberty of adding a dumb show in which the Captain
>tries on Viola's "women's weeds" out of curiosity and Malvolio has him
>arrested for cross dressing in public. Dubious, but it worked, at least
>in the context of our production. I'm wondering if anyone knows of other
>productions which have addressed this loose end in any way.
I certainly hope not, at least if this is exemplary. I can find no
authority for this in the slightest. Why should Malvolio care what a sea
captain does in his spare time? How would he find out? He has no
authority outside the countess's household and less there than he
thinks. Although he has some views in common with Angelo, he lacks the
means to enforce them on much of anybody.
Second, there is no suggestion that cross-dressing is a crime in
Illyria. Viola never says that she's in peril of arrest for what she's
up to.
Third, this all smacks of voyeurism and a desire to be up to date.
"We're going to show male cross-dressing, te-hee."
Granted, the line is a problem, but it is far more likely that a man
would be arrested for debt, especially if he fell afoul of usurious
loan-sharks, of whom it is easy to imagine Malvolio being one. However,
it is not very important and I don't think that anybody really cares
what the issue might have been between the captain and Malvolio.
I hate to be so harsh, but students are impressionable. Some of them
might think this idea had something to do with Shakespeare's play.
don
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