The Shakespeare Conference: SHK 20.0131 Monday, 23 March 2009
[1] From: Bob Grumman <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Friday, 20 Mar 2009 16:42:37 -0500
Subj: Re: SHK 20.0128 50 Best American Plays
[2] From: John W Kennedy <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Friday, 20 Mar 2009 23:59:45 -0400
Subj: Re: SHK 20.0128 50 Best American Plays
[3] From: Mike Shapiro <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Friday, 20 Mar 2009 22:08:41 -0700
Subj: RE: SHK 20.0128 50 Best American Plays
[1]-----------------------------------------------------------------
From: Bob Grumman <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Friday, 20 Mar 2009 16:42:37 -0500
Subject: 20.0128 50 Best American Plays
Comment: Re: SHK 20.0128 50 Best American Plays
>Obsession with the family?
>
>What plays of Shakespeare do NOT have what we could call an
>obsessive (or at least "intense") concern with family relationships?
Offhand, I would say all of them. I don't think the fact that there are
mothers and fathers and sons and daughters and brothers and sisters in
Shakespeare's plays makes them family plays. But I'm not up to carefully
showing the difference between a play like the Glass Menagerie and
Hamlet as family plays. One hint: count the number of characters in
each. I would add that the fact that Tempest and As You Like It both
have brothers against each other has just about nothing to do with family.
If I had time and the energy, I'd present a study of the question with
an analysis of the fifty best British plays and fifty best American
plays, in my opinion, and say what makes the British ones better than
the American ones. Haven't the time or energy, so can only express my
opinions here.
By the way, the English play I was trying to think of is, I believe, The
Knack.
Oh, and I of course am speaking only of reasonably well-known plays. I
suspect the fifty best American plays are all still in manuscript,
except for a few that may have been privately published. I should add
also that I'm guessing about recent known American plays, not having
kept up with recent drama due to poverty and a home in the provinces.
-- Bob G.
[2]-----------------------------------------------------------------
From: John W Kennedy <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Friday, 20 Mar 2009 23:59:45 -0400
Subject: 20.0128 50 Best American Plays
Comment: Re: SHK 20.0128 50 Best American Plays
From: Billy Houck <This email address is being protected from spambots. You need JavaScript enabled to view it.>
>I would like to propose:
>
>Kennedy's Children by Robert Patrick
>Zoot Suit by Luis Valdez
>Uncle Tom's Cabin by George L. Aiken
>The Hairy Ape by Eugene O'Neill
"Uncle Tom's Cabin" (the play) is of considerable social importance, but
"The Octoroon" is twice the play.
"Andre"
"Metamora"
"Fashion"
"The New York Idea"
"Margaret Fleming"
"The Scarecrow"
"The Show-Off"
"The City"
"Secret Service"
[3]-----------------------------------------------------------------
From: Mike Shapiro <This email address is being protected from spambots. You need JavaScript enabled to view it.>
Date: Friday, 20 Mar 2009 22:08:41 -0700
Subject: 20.0128 50 Best American Plays
Comment: RE: SHK 20.0128 50 Best American Plays
I know this isn't a theory discussion of tragedy but the thread got me
thinking of the elements of tragic drama. Specifically, the requirement
of protagonist to be of grave stature. Today we don't have the same clay
the old masters had with which to work. Our leaders (the civil ones) are
no longer monarchs etc, but hang with Jay Leno and we refer to them by
their last names as if they were co-workers. We've progressed?
One vote for The Gin Game
Mike Shapiro
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