The Shakespeare Conference: SHK 23.0394  Thursday, 27 September 2012


From:        Sean Lawrence <This email address is being protected from spambots. You need JavaScript enabled to view it.>

Date:         September 26, 2012 1:11:34 PM EDT

Subject:     EMLS 16.2


To whom it may concern:


The latest issue of Early Modern Literary Studies is now available. As usual, it is available for download free and without subscription at the following web address: http://purl.org/emls



Sean Lawrence



Early Modern Literary Studies 16.2 (2012)





Divided They Fall: (De)constructing the Triple Hecate in Spenser’s Cantos of Mutabilitie. Jessica Dell, McMaster University. [1]


‘When dead ones are revived’: The Aesthetics of Spectacle in Robert Greene’s James IV (c. 1590). Jenny Sager, Jesus College, University of Oxford. [2]


Homoerotic Pleasure and Violence in the Drama of Thomas Middleton. Adrian Blamires, Reading University. [3]


Beaumont and Fletcher’s Rhodes: Early Modern Geopolitics and Mythological Topography in The Maid’s Tragedy. Lindsay Ann Reid, Koç University, Istanbul.[4]





Edel Lamb,  Performing Childhood in the Early Modern Theatre: The Children's Playing Companies (1599 -1613). New York, NY: Palgrave Macmillan, 2009. M. Tyler Sasser, The University of Southern Mississippi. [5]


Jane Hwang Degenhardt and Elizabeth Williamson, eds, Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage. Farnham: Ashgate, 2011. Alison Searle, University of Sydney. [6]


Lynn S. Meskill, Ben Jonson and Envy. New York: Cambridge UP, 2009. Suzanne Penuel, University of South Carolina Lancaster. [7]


The Oxford Handbook of John Donne, edited by Jeanne Shami, Dennis Flynn, and M. Thomas Hester. Oxford: Oxford University Press, 2011. P. G. Stanwood, The University of British Columbia. [8]


Katrin Ettenhuber, Donne's Augustine: Renaissance Cultures of Interpretation. Oxford: Oxford University Press, 2011. Patrick J. Murray, University of Glasgow. [9]



Theatre Reviews:


Romeo and Juliet, presented by Action to the Word at Camden People’s Theatre, London, 14-26 February 2012. Thomas Larque. [10]


The Winter’s Tale, presented by Propeller at the Lyceum Theatre, Sheffield, 31 January - 4 February 2012, and on tour. Lisa Hopkins, Sheffield Hallam University. [11]


Cambridge Shakespeare, 2012. Michael Grosvenor Myer. [12]

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