The Shakespeare Conference: SHK 24.0548  Thursday, 5 December 2013


From:        Jean-Christophe Mayer <This email address is being protected from spambots. You need JavaScript enabled to view it.>

Date:         December 4, 2013 at 1:56:39 PM EST

Subject:    Latest Issue of Cahiers Elisabethains and Announcemen


Dear List Members,


The latest issue of Cahiers Elisabethains is now available: Cahiers Elisabethains 84 (2013).


* We are proud to announce that as of 2014 our journal will be published in both print and electronic formats by Manchester University Press. For a free sample of the electronic version of our previous issue, click here: <> and to read the press release access <>


* Please note also that article submissions are now open for the next issues of the journal. For details about submissions and/or subscriptions, please see the end of this message or visit <>










Alice Leonard: “Enfranchised” Language in Henry V and The Dutch Courtesan


H. Gaston Hall: Repetition, Inversion and Metaphor in Two Moments of Hamlet


Gordon Jones: The Sad Shepherd Revisited



Susan L. Fischer: Opera as Theatre: Verdi’s “Mythical” Macbeth on the Boards of the French Stage


Sarah Hatchuel: Down to Earth: Branagh’s Macbeth at Manchester International Festival 2013



A Satire of the Three Estates, directed by Greg Thompson for “Staging the Scottish Court”, The Peel at Linlithgow Palace, 8 June 2013 (Lucy R. Hinnie)


Coriolanus, directed by Lin Zhaohua for the Beijing People’s Art Theatre, China, The Edinburgh Playhouse, Edinburgh International Festival, 20 August 2013 (Anne-Kathrin Marquardt)


Edward II, directed by Joe Hill-Gibbins, Olivier Theatre (National), London, 17 September 2013


A Mad World, My Masters, directed by Sean Foley for the RSC, Swan Theatre, Stratford-upon-Avon, 13 June 2013 (Peter J. Smith)


As You Like It, directed by Maria Aberg for the RSC, Royal Shakespeare Theatre, Stratford-upon-Avon, 24 April 2013 (James Stredder)


Othello, directed by Nicholas Hytner for the National Theatre, London, 22 June 2013 (Neil Allan)


Pericles, directed by Allyn Burrows, Actors’ Shakespeare Project, The Modern Theatre at Suffolk University, Boston, USA, 20 April 2013 (Kaara L. Peterson)


As You Like It, directed by Dan Rothenberg of Philadelphia’s Pig Iron Theatre, for The Acting Company in association with the Guthrie Theater, Dowling Studio, Minneapolis, USA, 15 January 2013; & The Taming of the Shrew and Twelfth Night, directed by Edward Hall for Propeller in association with the Touring Partnership, Guthrie Theater, Wurtele Thrust Stage, 6 March and 19 March 2013 respectively (Gayle Gaskill)


Richard III, directed by Tim Carroll at Shakespeare’s Globe Theatre, London, 13 September, and 6 October 2012 (José A. Pérez Díez)


Twelfth Night, directed by Tim Carroll, Shakespeare’s Globe Theatre, London, 27 September and 10 October 2012 (José A. Pérez Díez)


Harry The Sixth / The Houses of York and Lancaster / The True Tragedy of the Duke of York, directed by Nick Bagnall for Shakespeare’s Globe, Theatre Royal, York, 6 July 2013 (Peter Kirwan)


Macbeth, directed by Eve Best, Shakespeare’s Globe Theatre, London, 16 July 2013 (Peter J. Smith)


A Midsummer Night’s Dream, directed by Dominic Dromgoole, Shakespeare’s Globe Theatre, London, 31 May 2013 (Peter J. Smith)


The Tempest, directed by Jeremy Herrin, Shakespeare’s Globe Theatre, London, 7 May 2013 (Peter J. Smith)


Indian Tempest, directed by Paddy Hayter for Footsbarn in collaboration with Abhinaya Theatre, Shakespeare’s Globe Theatre, London, 1 August 2013 (Thea Buckley)



David Carnegie and Gary Taylor, eds., The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play, (Oxford: Oxford University Press, 2012) (Jeffrey Kahan)


Paul Edmondson and Stanley Wells, eds., Shakespeare Beyond Doubt (Cambridge: Cambridge University Press, 2013) (Peter Kirwan)


Pascale Aebischer, Screening Early Modern Drama: Beyond Shakespeare (Cambridge: Cambridge University Press, 2013) (Peter Kirwan)


Florence March, Shakespeare au Festival d’Avignon. Configurations textuelles et scéniques, 2004-2010 (Montpellier: L’Entretemps, 2012) (Nathalie Rivère de Carles)


Barbara L. Estrin, Shakespeare and Contemporary Fiction. Theorizing Foundling and Lyric Plots (Newark: University of Delaware Press, 2012) (Janice Valls-Russell)


BOOKS RECEIVED (Compiled by Janice Valls-Russell)


Submissions can be send to either of Cahiers's assistant editors: <This email address is being protected from spambots. You need JavaScript enabled to view it.> or <This email address is being protected from spambots. You need JavaScript enabled to view it.>


For more information, consult our website or write to: <This email address is being protected from spambots. You need JavaScript enabled to view it.>


With our best wishes for the festive season,

Jean-Christophe Mayer and Nathalie Vienne-Guerrin

Co-General Editors


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