PUBLICATION OF JUNE ISSUE Early Theatre 20.1

The Shakespeare Conference: SHK 28.201  Tuesday, 4 July 2017

 

From:        Helen M. Ostovich <This email address is being protected from spambots. You need JavaScript enabled to view it.>

Date:         July 4, 2017 at 2:29:56 PM EDT

Subject:    PUBLICATION OF JUNE ISSUE Early Theatre 20.1

 

Early Theatre is pleased to announce the publication of issue 20.1, which includes the following articles, review essay, and book reviews:

ARTICLES

 

Leicester’s Men and the Lost Telomo of 1583

Domenico Lovascio

 

‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s Henry VIII

Nadia Thérèse Van Pelt

 

Reading the Royal Entry (1604) in/as Print

Heather C. Easterling

 

Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage

Morwenna Carr

 

The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’

Emanuel Stelzer

 

Trumpeters from China in Bristol in 1577?

Matteo Pangallo

 

A Possible Extension of Henslowe’s and Alleyn’s Sussex Network?

            Paul Quinn 

 

 

REVIEW ESSAY

 

Affective Inheritances

Lesel Dawson and Eric Langley

 

 

BOOK REVIEWS

 

Nicole R. Rice and Margaret Aziza Pappano. The Civic Cycles: Artisan Drama and Identity. Notre Dame, IN: Notre Dame University Press, 2015. Pp 360.

Reviewed by Alexandra F. Johnston

 

Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.

Reviewed by Wendy Wall

 

Nicoleta Cinpoeş (ed.). Doing Kyd: Essays on The Spanish Tragedy. Manchester: Manchester University Press, 2016. Pp 240.

Reviewed by Marianne Montgomery

 

W.R. Streitberger. The Masters of the Revels and Elizabeth I’s Court Theatre. Oxford: Oxford University Press, 2016. Pp xv, 319.

Reviewed by Curtis Perry

 

Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. Pp x, 236.

Reviewed by Katharine Goodland

 

Eoin Price. ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication. London: Palgrave Macmillan, 2015. Pp x, 95.

Reviewed by Holger Schott Syme

 

Jerry Brotton. This Orient Isle: Elizabethan England and the Islamic World. London: Allen Lane, 2016. Pp xv, 358.

Reviewed by Richard Allen Cave

 

Gwilym Jones. Shakespeare’s Storms. Manchester: Manchester University Press, 2015. Pp xi, 198.

Reviewed by Edward J. Geisweidt

 

Farah Karim-Cooper. The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment. London: Bloomsbury, 2016. Pp 309.

Reviewed by Miranda Fay Thomas

 

David Crystal. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press, 2016. Pp 704.

Reviewed by Sarah Grandage

 

Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. New York: Routledge, 2016. Pp xi, 196.

Reviewed by Jennifer Panek

 

Rebecca Yearling. Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience. Basingstoke: Palgrave, 2016. Pp 223.

            Reviewed by José A. Pérez Díez

 

Helen M Ostovich  <This email address is being protected from spambots. You need JavaScript enabled to view it.>

http://www.humanities.mcmaster.ca/~english/Faculty/Ostovich.html

Founding Editor, Early Theatre <http://earlytheatre.org/>

Series Editor, Studies in Performance and Early Modern Drama https://www.routledge.com/performance/series/SPEMD

Series Editor, Late Tudor and Stuart Drama (https://mip-archumanitiespress.org/series/mip/late-tudor-stuart-drama/)

Professor Emerita, English and Cultural Studies

McMaster University

Canada

 

 

Shakespeare First Folio Special Issue Announcement

The Shakespeare Conference: SHK 28.200  Tuesday, 4 July 2017

 

From:        Jean-Christophe Mayer <This email address is being protected from spambots. You need JavaScript enabled to view it.>

Date:         June 30, 2017 at 7:41:20 AM EDT

Subject:    Shakespeare First Folio Special Issue Announcement 

 

Dear SHAKSPERians, 

 

Colleagues in the field of book history and Shakespearean reception (but not exclusively) may be interested in the latest special issue of Cahiers Elisabethains entitled “New Perspectives on Shakespeare’s First Folio”. It is in part devoted to the recent discovery of a new copy of an (annotated) First Folio in northern France in 2014 in the town of Douai. 

 

However, Shakespeareans and scholars in every field will also find new and stimulating thought by leading experts on what is a rare book like the First Folio and how the cultural aura around it was and is constructed.

 

As an added bonus, you can consult the entire Saint-Omer copy digitized in high definition from your desktop by clicking on this link:

 

http://bibliotheque-numerique.bibliotheque-agglo-stomer.fr/viewer/18140/?offset=#page=1&viewer=picture

 

Finally, an account of the annotations (with illustrations) was also published in Cahiers Elisabethains in June 2015:

 

https://doi.org/10.7227/CE.87.1.1

 

Enjoy!

 

With our very best wishes,

Line Cottegnies, Universite Paris-Sorbonne Nouvelle and Jean-Christophe Mayer (French National Centre for Scientific Research - CNRS)

 

 

TABLE OF CONTENTS

Cahiers Elisabéthains- Volume: 93, Number: 1 (July 2017)

 

New Perspectives on Shakespeare’s First Folio

 

Introduction Line Cottegnies, Jean-Christophe Mayer

The Saint-Omer Folio in its library Line Cottegnies

 

‘The strictest, orderlyest, and best bredd in the world’ Maurice Whitehead

 

Shakespeare’s First Folio and the fetish of the book Brian Cummings

 

Who edited the Shakespeare First Folio? Eric Rasmussen

 

The hero, the villain, the princess, and the book Emma Smith

 

Binding and unbinding Roger Chartier

 

 

Performance in context

 

Romeo and Juliet and ekphrastic criticism in practice Susan L Fischer

 

The ‘Cumberbatch’ Hamlet (1) Boika Sokolova, Nicoleta Cinpoeş

The ‘Cumberbatch’Hamlet (2) Aidan Elliott

 

 

Play review

 

Play review: Romeo+Juliet Alan Forrest Hickman

 

 

Books received

Books received Janice Valls-Russell

 

 

Becoming SHAKSPER’s Associate Editor

The Shakespeare Conference: SHK 28.199  Tuesday, 4 July 2017

 

From:        Hardy M. Cook <This email address is being protected from spambots. You need JavaScript enabled to view it.>

Date:         Tuesday, July 4, 2017

Subject:     Becoming SHAKSPER’s Associate Editor

 

Dear Subscribers,

 

Since I have been taking regular trips to England, there have been several interruptions in SHAKSPER service. During these interruptions, discussion wanes. Because I am now considering participating in a three-year Dharma Teacher Training Program offered by Bodhi College, my regular trips to England might possibly continue. As a result, I am beginning a search for an Associate Editor who I can train to take over from me when I am away. The thirtieth anniversary of SHAKSPER is approaching, and I have given thought to handing over the list to a worthy successor. The problem is that SHAKSPER is like my third daughter and giving her up feels as if I am putting a cherished child up for adoption.

 

If you might be interested in such a position, please read the information below so that you know what you would be getting into and then send me CV and essay about why you believe you have the interest and qualifications to edit SHAKSPER during my absences.

 

***********

Editing SHAKSPER

 

I sometime feel that editing and moderating SHAKSPER requires the patience of Job, the judgment of Solomon, a personality that tends toward having OCD, skin thick as steel (preferably Teflon-coated), and the ability to leap tall buildings in a single bound. SHAKSPER was founded as an “academic” conference, and I still view it as such

 

On May 14, 1987, Willard McCarty then of the Centre for Computing in the Humanities at the University of Toronto founded HUMANIST as “a Bitnet/NetNorth electronic mail network for people who support computing in the humanities.” HUMANIST was the prototype for all academic e-mail distribution lists. Kenneth Steele, then a graduate student at the University of Toronto, inspired by HUMANIST, decided to found a similar list dedicated to Shakespeare. The name he chose was SHAKSPER; at the time, for technical reasons, list names could be no longer than eight characters. On July 26, 1990, Steele’s dream became reality.

 

I met Ken Steele at the 1990 Shakespeare Association of America annual meeting in Philadelphia. We were both members of a seminar on computing approaches to Shakespeare. He told me about his plans for the Shakespeare Conference, and I expressed my interest. About a dozen Shakespeareans including myself formed the core of founding members. On February 21, 1992, I became SHAKSPER’s co-editor, at first being responsible for the file server. On March 25, I took over the editing of the daily submissions into the digests. On June 3, Ken decided to take a leave of absence from his graduate studies, and I became SHAKSPER’s owner, editor, and moderator. At that time, the 293 members were virtually all from academia. As of July 4, 2017, about a thousand subscribers receive SHAKSPER Newsletters (a digest of e-mails discussion threads and announcements, edited into a single newsletter that is then e-mailed to subscribers). In addition, the SHAKSPER Facebook page has almost 890 followers. On the Facebook page, I post a table of contents to the Newsletter’s digests with links to the individual discussion threads, announcements, and so on.

 

SHAKSPER is an edited and moderated e-mail discussion list. Most of my work for it involves preparing the daily newsletters, into which I group related messages into threads. Several times a day, I check the inbox of This email address is being protected from spambots. You need JavaScript enabled to view it., the account to which all SHAKSPER submissions are routed. I delete spam and other irrelevant messages. I respond to inquiries from members and non-members as appropriate. I do not answer questions from students requesting I do their homework assignments for them, although on occasion I direct some to an Internet or library resource that might assist them. I do not post messages directed to individuals and not of interest to the conference. Furthermore, I can intervene when an inadvertently mistaken forward or personal response comes to the list rather than to the person to whom it was intended, avoiding both the sometimes-embarrassing mistake and the inevitable apology for it. I also can “kill” messages that someone may write and afterwards have second thoughts about posting. Finally, inappropriate topics, such as the so-called “Authorship” controversy that has been banned from discussion since the mid-1990s, are returned to the submitter without comment. 

 

When I come across a message intended for the list, I save that e-mail as a rich-text file in a folder on my hard drive. I assign each of these e-mails a short name and number identifying it as belonging to an on-going thread or as being a new inquiry, announcement, or other communication for SHAKSPER. Once a day, usually in the morning, I edit and format the messages into a newsletter. Each newsletter has a header and a table of contents for ease in reading and citing. The table of contents includes the name and e-mail address of each person making a posting, the date of the submission, and the subject. I format these digests in Word, using macros I have created to manage repetitive tasks. My formatting involves imposing a consistent “look and feel” to the newsletters – all paragraphs are single-spaced and flush with the left margin. I remove unnecessary carriage returns so that each paragraph will word wrap in any browser-mailer used to read it. Paragraphs are separated by a single blank line. I also lightly edit, correcting obvious typos, reducing signatures to the barest essentials, and generally making the digests conform to a recognizable style, the full block format, I have imposed on them over the years. After I have finished formatting and editing individual “articles,” I use the Joomla platform to save and then to format them into a newsletter that I e-mail to all members on the list. In addition to these “articles,” digests, and newsletters, many SHAKSPER pages require regular updating: some daily, some weekly, some monthly, and others as needed. This updating of pages is just one of the tasks of maintaining the SHAKSPER web site, work that I have been trying to “farm” out in recent years. SHAKSPER is not open to automatic subscription; prospective members are requested to supply brief autobiographies. Thus, another part of my work for SHAKSPER includes adding and deleting members and maintaining the biography and membership files for my own use. Technical problems associated with running a list are handled by Ron Severdia, who hosts SHAKSPER and who moved SHAKSPER from the Listserv platform to Joomla. 

 

**********

 

If you have read this far you may be interested in being considered for the positions of SHAKSPER’s Associate Editor. Again, I am requesting a CV and an essay expressing your interest and qualifications. Keep in mind that I have been a Department Chair and have read thousands of CV and cover letters.

 

SHAKSPER has made my professional reputation, and being SHAKSPER’s Associate Editor would be an appropriate place for a young assistant or tenure-track professor to make her mark.

 

Thank you for your time and consideration.

 

Fondly,

Hardy M. Cook, Ph.D.  

Professor Emeritus 

Bowie State University 

Editor of SHAKSPER: The Global Electronic Shakespeare Conference <shaksper.net>   

This email address is being protected from spambots. You need JavaScript enabled to view it.

 

 

PS: I recently learned that I have been selected to be a recipient of the 2018 Who’s Who “Albert Nelson Marquis Lifetime Achievement Award.” The 2017 Albert Nelson Marquis Lifetime Achievement Award recipients include Lynda Carter, Ruth Bader Ginsburg, Tim Cook, Colin Powell, and other academics and professionals. I will be included on the 2018 Lifetime Achievement web site and in the 2018 Who’s Who in America with a page of my own.

 

 

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